Heresies Article Index Issue #1 - Feminism, Art and Politics
Author/Artist | Title | Page(s) |
Accion para la Liberacion de la Mujer Peruana | Who Are We? What Do We Want? What Do We Do? | 99-100 |
Attie, Dotty | Details From: Pierre and Lady Holland | 52 |
Baca, Judy: director | Hollenbeck Park Bandshell | 18 |
Bourgeois, L.; Marisol; Shapiro, A.L; | Now Women Repossess Their Own Sexuality | 50-53 |
Bourgeois, Louise | Femme Couteau | 51 |
Braderman, J; Hammond, H.; Hess, E.; | From the First-Issue Collective | 2-3 |
Braderman, Joan | Juggling Contradictions: Feminism, the Individual and What's Left | 88-93 |
Burton, Marie: Director | Celebration of Cultures | 16 |
Carson, Karen | Edge of Night | 74 |
Carson, Karen | Cracking Up | 75 |
Carson, Karen | Shattered Dreams | 75 |
Clausen, Jan | the empress anastasia in new york | 60-61 |
Cockcroft, Eva | Women in the Community Mural Movement | 14-22 |
Cockcroft, Eva | Warrensburg | 21 |
Cortez, Jayne | Do You Think | 57 |
Delacroix, Eugene | Woman in White Stockings | 47 |
Dongen, Kees van | Reclining Nude | 49 |
Duncan, Carol | The Esthetics of Power in Modern Erotic Art | 46-51 |
Edelson, Mary Beth | Death of Patriarchy/Heresies | 79 |
Ehrenreich, Barbara | Toward Socialist Feminism | 4-7 |
Femminile, Rivolta | On Women's Refusal to Celebrate Male Creativity | 100-01 |
Fishman, Louise | Angry Harmony | 69 |
Friedrich, Su | Chicago Mannequin | 87 |
Friedrich, Su | Twins and Janet | 98 |
Green, Vanita | Black Women | 15 |
Groupe de Cinq | La Roquette, Women's Prison | 36-41 |
Haight-Ashbury Muralists | Unity Eye | 20 |
Hammond, Harmony | Feminist Abstract Art--A Poltical Viewpoint | 66-70 |
Hiller, Deborah | Alone | 35 |
Ingres, J.D. | Roger and Angelica | 47 |
Iskin, Ruth E. | "Female Experience in Art": The Impact of Women's Art in a Work Environment | 71-78 |
Jennings, Kate | Moratorium: Front Lawn: 1970 | 97 |
Jensen, Gloria | Ten Ways of Looking at Prison Lunch | 35 |
Kooning, William de | Untitled | 48 |
Lacy, Suzanne | Rape Is | 74-75 |
Ladden, Arlene | Fays, Floozies, and Philosphical Flaws | 42-45 |
LeSueur, Meridel | Dead in Bloody Snow | 61 |
Lippard, Lucy R. | The Glass Swan: Upward and Downward Mobility in the Art World | 82-87 |
Lockhart, Bonnie | Still Ain't Satisfied | 109 |
Marisol | Untitled | 51 |
Martin, Mandy | Traditional Status Values of the Village | 1 |
Martin, Mandy | (Untitled) | 95 |
Miro, Joan | Woman's Head | 48 |
Mujeres Muralistas | Latinoamerica | 17 |
Munch, Edvard | Madonna | 48 |
Muske, Carol | The Art of Not Bowing: Writing by Women in Prison | 30-34 |
N/A | (Untitled Poster) | 106 |
N/A | Selected Bibliography on Feminism, Art and Politics | 107 |
N/A | (people who made $ contributions) | 108 |
N/A | (thanks) | 108 |
N/A | Advertisements | 110-11 |
N/A | Subscription Form | 112 |
N/A | (call for materials) | 113 |
Newmarch, A.; Martin, M.; Robertson, T. | Posters From Australia | 94-96 |
Newmarch, Ann | Look Rich | 94 |
People's Painters | Women | 18 |
Picasso, Pablo | Seated Bather | 49 |
Pottenger, Marty | Around Coming Around-- a performance | 102-03 |
Powers, Hiram | The Greek Slave | 47 |
Progressive Art Movement | Goal Bosses; Not Workers | 95 |
Ramer, Carol | Astrology Hype | 35 |
Reichert, Julia | from: Union Maids | 92 |
Rich, Adrienne | Women and Honor: Some Notes on Lying | 23-26 |
Robertson, Toni | Sometimes We Do Offend, Girls | 96 |
Rosler, Martha | Tijuana Maid | 8-13 |
Saxe, Susan | Notes From the First Year (for my sisters, a trilogy of revolution) | 62 |
Semmel, Joan | Mythology and Me | 53 |
Shakur, Assata | What is Left? | 101 |
Shapiro, Ann Leda | Making Love to a Man Who Isn't All There | 52 |
Sheer, Sherie | Putti | 72 |
Sillman, Amy | A Pink Strip | 80-81 |
Snider, Jenny | Split Scribble | 69 |
Snyder, Joan | (Untitled) | 103 |
Snyder, Joan | Small Symphony for Women II | 70 |
Snyder, Suellen | Puerto Rican Day Parade | 98 |
Spero, Nancy | Bomb Shitting | 58 |
Spero, Nancy | Torture in Chile | 59 |
Steckel, Anita | The Subway | 53 |
Stevens, May | Tribute to Rosa Luxemburg | 28 |
Stevens, May | Tribute to Rosa Luxemburg and Two Women | 28-29 |
Stevens, May | Two Women | 29 |
Sweeney, Pat | Wages for Housework: The Strategy for Women's Liberation | 104-06 |
Tomi Arai, director, with Lower East Side Women | Wall of Respect for Women | 21 |
Turnock, Libby | (Untitled) | 102 |
Turnock, Libby | (Untitled) | 103 |
Various | Songs from a Free Space | 35 |
Various | Posters from the People's Republic of China | 63-65 |
Vlaminck, Maurice | Bathers | 49 |
Wilding, Faith | Chrysalis II | 73 |
Yankowitz, Susan | ABCS | 54-57 |
Yasko, Caryl | I am the People | 16 |
Youdelman, Nancy | An Homage to Lily Bart, from Edith Wharton's "House of Mirth" | 72 |
Zelvin, Elizabeth | Adman | 27 |
Zelvin, Elizabeth | Zucchini Poem | 27 |
Seagull | 63 | |
Little Eagle Spreads Her Wings | 64 | |
Spring Plowing | 64 | |
Women Hold Up Half the Sky | 65 |
Heresies Article Index Issue #2 - Patterns of Communication and Space Among Women
Author/Artist | Title | Page(s) |
Leifer, Laurie | Workspaces | 1 |
Metzger, Deena | In Her Image | 2-11 |
Bretteville, Sheila de | Pink | 3 |
Hirsch, Gilah | Four Square | 4 |
Varo, Remedios | Papilla Estelar | 5 |
Saar, Bettye | Bittersweet | 6 |
Anonymous | Crazy Quilt | 6 |
Pearce, Lila | Consciousnes-raising Group | 7 |
Kahlo, Frida | Las Dos Fridas | 7 |
Chicago, Judy | What is the secret place inside of me that has held a tear for so long? | 8 |
Henes, Donna | Web | 10 |
Jonas, Joan | Delay Delay | 11 |
Heinemann, Sue | Inside/Out: A Return to My Body | 12-15 |
Bernardez-Bonesatti, Teresa | Feminists and Non-Feminists in Psychotherapy | 16-18 |
Schapiro, Miriam | Connection | 18 |
Schapiro, Miriam | Souvenirs | 18 |
Markovitz, Sherry | Body, Space, and Personal Ritual | 19-21 |
Lippard, Lucy R. | 3 Short Fictions | 22-24 |
Rainer, Yvonne | Letter Utterings | 25 |
Friedrich, Su | Mea Culpa | 26-29 |
Various | Spaces | 30-34 |
Aycock, Alice | Wooden Shacks on Stilts with Platform | 30 |
Pinto, Jody | Detail of Spotted Bundle Enclosure | 30 |
Hemenway, Audrey | Ecological Environment | 31 |
Kusama, Yayoi | The Compulsion Room (wall) and Desire for Death in Silvery World (foreground) | 31 |
Anonymous | (untitled) | 32 |
Weisbord, Mimi | The House at Night | 32 |
Lanyon, Ellen | Cicada | 32 |
Borstein, Elena | Cuernavaca | 32 |
Mouraud, Tania | Project: Initiation Space No. 1 | 33 |
Thea, Carolee | Recreation of My Commuter Routes on the Penn Central R.R. | 33 |
Johanson, Patricia | Stephen Long | 33 |
Mangold, Sylvia Plimack | Night Light | 34 |
Colette | A View of My New York Apartment | 34 |
Miss, Mary | Sapping | 34 |
Weatherford, Elizabeth | Women's Traditional Architecture | 35-39 |
Kickapoo Women in front of her wigwam, | 35 | |
!Kung Gatherers and Scherms | 36 | |
Pima women and house | 36 | |
Tuareg tent and structural variations | 37 | |
Southern Cheyenne woman erecting a tipi. | 37 | |
Cheyenne tipi wall | 38 | |
Floor Plan, Kikiyu women's quarters | 38 | |
Pindell, Howardena | A Black American's African Diary | 40-41 |
Twitty, Anne | Magic Songs | 42 |
Apple, Jacki and Wislon, Martha | Correspondence between Jacki Apple and Martha Wilson: 1973-1974 | 43-47 |
Vivell, Judith | Wilson and Apple | 45 |
Leontief, Estelle | Lament on the Eve of her Daughter's Birthday | 47 |
Lauterbach, Ann | September Solitaire | 47 |
Bateman, Katherine | Contract Ions | 48-49 |
Gross, Julie | (untitled) | 49 |
Orenstein, Claudia and Nin, Anais | Patterns of Healing and Rebirth | 50-51 |
Rentmeister, Cacilia | The Raised Voices of Women in Mid-Nineteenth Century | 52-56 |
Daumier, Honore | Les Bas Bleus | 54 |
Various | Twenty-Seven Personal Records | 57-70 |
Borden, Lizzie | Women and Anarchy | 71-77 |
Emma Goldman | 73 | |
Clara Zatkin | 73 | |
Alexandra Kollantai | 73 | |
Angela Balabanoff | 75 | |
Frederica Montseny | 75 | |
Spanish Anarchist Group | 75 | |
Charlesworth, Sarah | Ways of Change Reconsidered: An Outline and Commentary on Women and Peace in Northern Ireland | 78-83 |
Betty Williams and Mairead Corrigan at Belfast Peace March | 80 | |
Stevens, May | Prose Poems for Old Women | 84 |
Rousseau, Ann Marie | Homeless Women | 85-89 |
Rosler, Martha | She Sees Herself A New Woman Everyday | 90-91 |
Abbe, Cate | Compartments | 92 |
Leonard, Joanne | 92 | |
Johnson, Poppy | From the Pink and Yellow Books | 93-95 |
Steir, Pat | Two From Short Stories and Love Songs | 96 |
Neiman, Roberta | Four Photographs | 97-98 |
Neiman, Roberta | Birthday Party | 97 |
Neiman, Roberta | Pat Smith and Friend | 97 |
Neiman, Roberta | Spring | 98 |
Neiman, Roberta | Bloomingdale's | 98 |
Fishman, Pamela M. | Interactional Shitwork | 99-101 |
Green, Denise | Needle | 102 |
Lister, Ardele | Hewing the Wood and Drawing the Water: Women and Film in Colonized Canada | 103-05 |
Unknown | Director Nell Shipman in BACK TO GOD'S COUNTRY | 103 |
Unknown | Director Nell Shipman in BACK TO GOD'S COUNTRY | 104 |
Agrest, Diana | Les Echelles1975 | 106 |
Torre, Susana | A Feminist Monument (For Marion Mahony) | 107 |
Hayden, Dolores | Skyscraper Seduction Skyscraper Rape | 108-15 |
Hine, Lewis W. | "Sky-boys" top out Empire State Building | 108 |
Unknown | Bunker Hill Monument | 109 |
Unknown | Erastus Salisbury Field | 109 |
Alen, William Van | Chrysler Building | 110 |
Various | "Famous architects forming a miniature skyline of New York as they don their Beaux Arts costumes." | 112 |
Unknown | "I'm taking the town." | 113 |
Gehr, Herbert | Building Maintenance Staff of Rockefeller Center | 114 |
Birkby, Noel Phyllis and Weisman, Leslie Kanes | Women's Fantasy Environments: Notes on a Project in Process | 116-17 |
Applebroog, Ida | The " 'I am Heathcliffe, says Catherine' " Syndrome | 118-24 |
Schneemann, Carolee | Excerpts from performance Americana I Ching Apple Pie | 118 |
Conde, Carol | (untitled) | 118 |
Shaw, Karen | Additional Meanings: Forgiveness= 139 | 118 |
Sonneman, Eve | Opening Night | 119 |
Matthews, Sandra | Sleight of Hand Series | 119 |
Applebroog, Ida | Galileo Works | 120-21 |
Antin, Eleanor | Recollections of My Life with Diaghilev | 120 |
Antin, Eleanor | Recollections of My Life with Diaghilev | 121 |
Messager, Annette | Trickster | 122 |
Messager, Annette | La Femme et le barbu | 122 |
Rosenbach, Ulrike | Berlin: The Column of Victory | 122 |
Anderson, Laurie | (untitled) | 123 |
Bourgeois, Louise | From: He Disappeared into Complete Silence | 123 |
Ukeles, Mierle Laderman | Doing the Laundry: The Sorting of the Sox | 124 |
Various | From The Readers: | 125 |
Various | (advertisements) | 126-27 |
(contributions) | 128 | |
Heresies Poster | 128 | |
Heresies Subscription Form | 128 | |
(call for materials) | 129 |
Heresies Article Index Issue #3 - Lesbian Art and Artists
Artist/Author | Title | Page(s) |
Wilson, Mary Ann | Mare Maid | 1 |
Various | From The Lesbian Issue Collective: | 2-4 |
Harris, Bertha | What we mean to say: Notes Towards Defining the Nature of Lesbian Literature | 5-10 |
Finch, Margaret | Queen of the Gypsies at Norwood | 5 |
Female Monster with two heads. | 6 | |
The lion-headed Barbara Urselin, born 1641� | 7 | |
Moulton, Charles | Wonder Woman | 8 |
Grahn, Judy | The enemies of She Who call her various names | 9 |
Friedrich, Su | 7000 Year Old Woman. Performance #2, a street event, fully clothed. | 10 |
Damon, Betsy | The 7000 Year Old Woman | 10-13 |
Friedrich, Su | 7000 Year Old Woman. Performance #2, giving bags away | 12 |
Friedrich, Su | 7000 Year Old Woman. Performance #2, end of event | 13 |
Klepfisz, Irena | they're always curious | 14 |
Fishman, Louise (ed.) | THE TAPES | 15-21 |
Lane, Bettye | Photographs | 22-23 |
Bunch, Charlotte | Feminist Publishing: An Antiquated Form? | 24-26 |
Unknown | Alice Austen (on the fence post) and Gertrude Tate at the auto races | 27 |
Novotny, Ann | Alice Austen's World | 27-33 |
Austen, Alice | Daisy Elliot, on the rings, Violet Ward (holding the football at left), her sister and other amateur gymnasts | 29 |
Austen, Alice | Mrs. Cocroft did housework for Grandmother Austen while her husband was in the service | 29 |
Captain Muller, Oswald | Twenty-two year old Alice Austen poses in her Sunday best | 30 |
Austen, Alice | Standing for Ausetn, a maid demonstrates the way in which prints had to be washed, in ice cold water | 31 |
Austen, Alice | Violet Ward on her porch with an unidentified friend | 33 |
Dr. Cannon, Richard O. | Alice Austen rests in her garden with Gertrude Tate | 33 |
Hammond, Harmony | CLASS NOTES | 34-36 |
Skeet, Yoland | Photograph | 37 |
Various | What Does Being a Lesbian Artist Mean to You? | 38-49 |
King, Maryann | Gaslight | 39 |
DeSando, Sandra | American Beauties | 41 |
Helleloid, Janice | Egg and Dart | 44 |
Sjoo, Monica | God Giving Birth | 45 |
Jones, Debbie | Autoerotic Bowl | 46 |
Sillman, Amy | Marty's Cool Blue House | 49 |
Norman, Phylane | 49 | |
Unknown | Gertrude Stein | 50 |
Unknown | Gertrude Stein and Alice B. Toklas | 50 |
Glasser, Carole | Untitled | 51 |
Larkin, Joan | Some Unsaid Things | 51 |
Rich, Adrienne | Conditions for Work: The Common World of Women | 52-56 |
Communal Kitchen of the Oneida Community | 53 | |
Broumas, Olga | Sometimes, as a child | 57 |
Broumas, Olga | Artemis | 57 |
Blumenschein, Tabea and Ottinger, Ulrike | Texts and Photographs from Projects, Films, and Performance | 58-63 |
Carr, Cynthia | Story | 64 |
Porter, Margaret (translated by) | Natalie Barney on Renee Vivien | 65-71 |
Fishman, Louise | It's Good to Have Limits | 72 |
Asch, Barbara | Rest Heap | 73 |
Hammond, Harmony | Conch | 73 |
Fishman, Louise | How Do I Do It: Cautionary Advice From A Lesbian Painter | 74-77 |
Stewart, Leora | Wall Form | 75 |
Whitsworth, Sarah | Anatomy of Bonellia Viridis | 76 |
Klein, Gloria | Untitled | 77 |
Nelson, Dona | Untitled | 77 |
Wilson, Ann | Architectural Icon: The Shrine, The Votive, The Gesture | 78-79 |
Wilson, Ann | Ohio Relic Quilt | 79 |
Nelson, Dona | Growing Up A Painter | 80-83 |
Millet, Kate | Domestic Scene | 81 |
Fried, Nancy | The Woman's Building | 82 |
Robinson, Dara | Ressurrection--Self-Portrait as the Sacred Heart | 83 |
Rich, Adrienne | Paula Becker to Clara Westhoff | 84 |
Bloom, Carol | Photographs | 85 |
Hammer, Barbara | Use of Time inWomen's Cinema | 86-89 |
George, Sally | Joy Through Strength in the Bardo | 90 |
Sherman, Susan | Definitions | 91 |
Waller, E.K. | Reality/Fantasy--Portrayals | 92-93 |
Gidlow, Elsa | Lesbianism as a Liberating Force | 94-95 |
Women 1915 | 95 | |
Cushman, Charlotte | 96 | |
Lapidus, Jacqueline | Design for the City of Women | 97-99 |
Reid, Frances | Iris Films: Documenting The Lives of Lesbians | 100-01 |
Production Photo from: In The Best Interests of The Children | 101 | |
Various | A New York City Collective | 102-05 |
Fine, Maxine | This Makes Me Feel Good | 103 |
Turner, Ellen | Self Portrait #2 | 103 |
Falstein, Jessica | Untitled | 104 |
Rando, Flavia | Untitled | 104 |
Winant, Fran | Dog With Secret Language | 104 |
Elliot, Marguerite Tupper | Lesbian Art and Community | 106-07 |
Ritual | 107 | |
Wade, Christine | Generation | 108-14 |
Sillman, Amy | Bibliography on Lesbian Arts | 115-17 |
Advertisements | 117-19 | |
Contributors | 120 | |
Call For Work | 121 |
Heresies Article Index Issue #4 - Women's Traditional Arts/The Politics of Aesthetics
Artist/Author | Title | Page(s) |
Kaplan, Flora | Mexican Folk Pottery | 1 |
Editorial Group | From The editorial Group | 2 |
Friedlander, Judith | The Aesthetics of Oppression | 3-9 |
Bovenschen, Silvia | Is There a feminine Aesthetic? | 10-12 |
Riley, Elizabeth | Quilt Poem | 13 |
Russ, Joanna | Women Talking, Women Thinking | 14-15 |
Ladden, Arlene | The Martyr Arts | 16-18 |
Rickey. Carrie | The Straits of Literature and History | 19-21 |
Anonymous | The Picture Competition | 20-21 |
Pindell, Howardena | Afro-Carolinian "Gullah" Baskets | 22 |
De Lauretis, Teresa | The Left Hand of History | 23-26 |
Burnside, Madeleine | Weaving | 27 |
Various | Political Fabrications: Women's Textiles in Five Cultures | 28-37 |
Weaver's work basket and spindles | 29 | |
Fragment of Tiahuanaco tapestry shirt | 30 | |
Elements of the Taniko design pattern used to decorate the borders of woven cloaks | 31 | |
Maori women weaving | 32 | |
Male style blanket, The Chilkat Blanket | 32 | |
Female style blanket | 33 | |
Chief Pattern Blanket in red, blue, white, and brown | 34 | |
Chief Pattern Blanket in predominantly red, black, and white | 34 | |
Wedge-weave style in red, blue, and white | 34 | |
Eye-Dazzler in black, white, red, and green | 34 | |
Panel of Venetian bobbin lace | 35 | |
Bobbin pillow used in making bobbin lace | 36 | |
Jaudon, Valerie and Kozloff, Joyce | Art Hysterical Notions of Progress and Culture | 38-42 |
Nochlin, Linda | Excerpts from Women and the Decorative Arts | 43 |
Grabenhorst-Randall, Terree | The Woman's Building | 44-46 |
Ground Plan Woman's Building | 45 | |
Gallery Plan Woman's Building | 45 | |
Hangings embroidered in the school of Mme. Luce Ben-Aben. Moorish girls and women of Algiers. | 46 | |
Jaqueman, Clara | Fan with Mother-of-Pearl handle in Rococo Style | 46 |
Novak, Barbara | Ten Ways to Look at a Flower | 47 |
Gear, Josephine | Trapped Women: Two Sister Designers, Margaret and Frances MacDonald | 48-51 |
Weiss, Peg | Adelaide Alsop Robineau: Ceramist from Syracuse | 52-53 |
Robineau, Adelaide Alsop | Poppy Vase | 52 |
Robineau, Adelaide Alsop | Scarab Vase--Apotheosis of the Toiler | 52 |
Robineau, Adelaide Alsop | Eggshell Coupe | 52 |
Keller, Martha | Women of the Bauhaus | 54-56 |
Albers, Anni | Knotted rug | 54 |
Brandt, Marianne | Spherical Lighting fixture | 55 |
Brandt, Marianne | Small pot for tea essence | 55 |
Buscher, Alma | Children's Room Dresser | 56 |
Stolzl, Gunta | Tapestry | 56 |
Herrera, Hayden | Portrait of Frida Kahlo as a Tehuana | 57-58 |
Kahlo, Frida | Self Portrait | 57 |
Muray, Nicholas | Group Portrait | 57 |
Frida Kahlo's Tehuana dress displayed in the room in which she was born | 58 | |
Garrard, Mary D. | Feminism: Has it Changed Art History? | 59-60 |
Castanis, Muriel | Are You a Closet Collector? | 61 |
Lippard, Lucy R. | Making Something from Nothing | 62-65 |
Centerpiece | 62 | |
Cecropia leaf hat | 63 | |
Tillie the Tuna Tyke (string holder from a tuna can) | 64 | |
Feathered hibiscus with centers made of hackles, broom straws and stamen. | 65 | |
Meyer, Melissa and Schapiro, Miriam | Waste Not/Want Not: Femmage | 66-69 |
Noguere, Suzanne | Sewing With My Great-Aunt Leonie Amestoy | 70 |
Siskind, Elli | The Apron: Status Symbol of Stitchery Sample? | 71 |
Edelheit, Martha (compiled by) | Conversations and Reminiscences | 72-87 |
Ida Wright in her garden | 72 | |
Dora Schochet with embroidery/applique work | 73 | |
Georgina Garcia and her daughter Mayra | 74 | |
Cross-stitch sample by Georgina Garcia | 74 | |
Mrs. Dora Bund with knitted covers | 75 | |
Sarah Mandell doing needle work | 76 | |
Sarah Mandell and Enid Aljoe with collaborative piece | 76 | |
Phyllis Thompson, Mrs. Dora Lucinda Johnson and Mrs. Kathline Idella Thompson | 77 | |
Evening dress designed by Else Graupe | 78 | |
Else Graupe in suit she designed and made | 78 | |
Installation Shot: Five from Louisiana | 78 | |
Barbara Schaff | 80 | |
Ceramic bowl by Barbara Schaff | 80 | |
Vivian O'David | 80 | |
Lois Gerb | 80 | |
Pat Frank | 81 | |
Adele Blumberg | 81 | |
Blumberg, Adele | Embroidered Pillowcase | 81 |
Joan Wortis | 81 | |
Alice Watters Beebe | 82 | |
Beebe, Alice Watters | Stenciled tray | 82 |
Madame Willi Posey | 85 | |
Madame Willi Posey | 85 | |
Celia | 85 | |
Braun, Marjorie | Rose Pattern in fillet crochet on corner of tablecloth | 86 |
Braun, Emma | Hooked rug, scroll design | 86 |
King, Paula | The Takeover of Eden or A Little Knowledge Is a Dangerous Thing | 86 |
Bayard, Sarah Lyman (photographic arrangement) | 87 | |
Shapiro, Dee | Grandma Sarah Bakes | 88 |
Patterson, Patricia | Aran Kitchens, Aran Sweaters | 89-92 |
Aziz, Barbara Nimri | Nepal Hill Art and Women's Traditions | 93-95 |
Teilhet, Jehanne H. | The Equivocal Role of Women Artists in Non-Literature Cultures | 96-102 |
Wood, Sharon; Emmons, Zette; Moser, Erika | Women's Art in Village India | 103-07 |
Stern, Evelyn | Pages From an Asian Notebook | 108-11 |
Berry, Carolyn | Quill Art | 112-13 |
Martin, Mary A. | Turkmen Women, Weaving and Cultural Change | 114-15 |
MacGaffey, Janet | Kongo Pottery: Woman's Art from Zaire | 116 |
Maksymowicz, Virginia | Myth and the Sexual Division of Labor | 116-17 |
Selections from: Recitation of the Yoruba Bride | 118 | |
Hollister, Valerie and Weatherford, Elizabeth | "By the Lakeside there is an Echo:" Towards a History of Women's Traditional Arts | 119-23 |
Weatherford, Elizabeth (compiled by) | Bibliography | 124-25 |
Advertisements | 126-27 | |
Contributors | 128 | |
Upcoming Issues/ Call for Work | 129 |
Heresies Article Index Issue #5 - The Great Goddess
Artist/Author | Title | Page(s) |
Sappho | Poem | 1 |
Stone, Merlin | The Three Faces of Goddess Spirituality | 2-4 |
Cambell, Alla Bozarth | Mother With the Moon in Your Mouth | 5 |
The Goddess Yakshi with parrot | 5 | |
Pederson, P.M. | Non sumus qualis eramus | 6 |
Healy, Anne | White Goddess | 7 |
Christ, Carol P. | Why Women Need the Goddess | 8-13 |
The Birth of Aphrodite | 9 | |
The Thousand Hands of the Goddess Kwannon | 11 | |
"Lady of Sports" | 13 | |
Azara, Nancy | About the Goddess Kali, for Pamela Oline | 14 |
Courtot, Martha | 14 | |
Peer, Linda | Small Goddesses | 14-15 |
Bourgeois, Louise | Frail Goddess | 15 |
Head, Toni | Changing the Hymns to Hers | 16-17 |
Ishtar, Horned | Lady of the Hand | 17 |
Smith, Jonnye | Hathor, The Horned One | 18 |
Ribe, Angels | Stork-Woman: The Dryness and the Fullness of One's Existence | 19 |
Turner, Kay | Contemporary Feminist Rituals | 20-26 |
The Grandmother | 23 | |
Turner, Kay | Song of Black Feather, Song of White Feather | 27 |
Lippard, Lucy | Stonesprings | 28-31 |
Lobell, Mimi | Temples of the Great Goddess | 32-39 |
Hoag, Linda Ann | Isis at the Supermarket | 39 |
Syoc, Jere Van | My House | 40-41 |
Raymond, Monica | mersouri makes lub to ther queed ob spades | 42-45 |
Shinell, Grace | Woman's Primacy in the Coming Reformation | 46-50 |
Kundalini Sakti arising from the cavity of the womb | 47 | |
Yogini with serpentine Sakti emanating from Her yoni | 48 | |
(Baetyl) Three-faced stone ball carved with spirals | 49 | |
Marvin, Carey | Relic Manuscript Blood Entries | 51 |
Marvin, Carey | Relic | 51 |
Ukeles, Mierle Laderman | Mikva Dreams-- A Performance | 52-54 |
Various | The Many Paths of Feminist Spirituality | 55 |
Schacht, Jaci | Our Mother Who Art in Heaven | 55 |
Sharp, Joan L. | The Goddess in Islam | 55 |
Levin, Rachel | Feminism in Judaism | 55 |
A.M. | Panic in the World of Art | 56-58 |
Culbertson, Janet | Exile III | 59 |
Henes, Donna | Summer Solstice | 60 |
Henes, Donna | Spring Equinox | 61 |
Henes, Donna | Winter Solstice | 62 |
Henes, Donna | Autumn Equinox & My Birthday | 63 |
Johnson, Buffie and Boyd, Tracy | The Eternal Weaver | 64-69 |
A.M. | 69 | |
Glendinning, Chellis (collected by) | DREAMS | 70-72 |
Kay, Hanna | Root Hold | 72 |
Alenikoff, Frances | Time | 73 |
Orenstein, Gloria Feman | The Reemergence of the Archetype of the Great Goddess in Art by Contemporary Women | 74-84 |
Lobell, Mimi | Section architectural drawing for a Goddess temple | 75 |
Lobell, Mimi | Labyrinth/architectural drawing for a Goddess temple | 76 |
Schneeman, Carolee | THE MUSE WAS SERPANT AND� | 76 |
Sharon, Miriam | Sand Costumes/Living with the Bedouins | 77 |
Mendieta, Ana | Silveta del Laberinto | 77 |
Johnson, Buffie | Lapis | 78 |
Johnson, Buffie | Pasiphae | 78 |
Byars, Donna | Oracle Stone's Grove | 79 |
Byars, Donna | Vested Relic | 79 |
Saar, Betye | Voo Doo Lady with Three Dice | 80 |
Edelson, Mary Beth | Goddess Head/Calling Series | 81 |
Henes, Donna | Spider/ Woman Series | 81 |
Damon, Betsy | Maypole Ritual | 82 |
Damon, Betsy | Ancestors | 82 |
Kay, Hanna | Enclosed | 83 |
Chicago, Judy | The Butterfly Goddess as a Flowering Shrub | 83 |
Price, Janet R. | Liturgy Circa 1976 | 84 |
Treewoman, Judith | In the Making | 85 |
Scot, Sidele C. | Heroica, An Archetypal Image Rising: An Expurgated Vision | 86-89 |
Hirsch, Gilah Yelin | Reconciliation | 89 |
Todd, Judith | Opposing the Rape of Mother Earth | 90-94 |
Todd, Judith | A portion of Pueblo Bonito, showing cellular articulation� | 91 |
Todd, Judith | Repeated doorways | 92 |
Todd, Judith | Part of the circular Great Kiva wall� | 93 |
Pezold, Friederike | Ginkgo | 95 |
Edelson, Mary Beth | Pilgrimage/See for Yourself: A Journey to a Neolithic Goddess Cave, 1977. Grapceva, Hvar Island, Yugoslavia | 96-99 |
Alsup, Martha | Finding the Goddess: Finding Myself | 100-03 |
Morley, Hilda | Incantation to the Moon | 104 |
Cara, Holly | 104 | |
Jonas, Joan | Hills | 105 |
Castanis, Muriel | Early Impressions | 105 |
Thea, Carolee | Masks, Powers and Sisterhood in an African Society | 106-09 |
Friedrich, Su | Oshun, Yoruba Fertility Gods | 110 |
Wenger, Susanne | The Goddess Oshun on the Riverbank | 110 |
Wenger, Susanne | Shrine of the Goddess Oshun | 110 |
Walsh, Alida | Earth Mother Goddess | 111 |
Dudley, Rosemary J. | She Who Bleeds, Yet Does Not Die | 112-16 |
Great Goddess with pannier headdress. | 113 | |
Woman giving birth | 114 | |
�the eighteen focal centers�female body� | 115 | |
Wilke, Hannah | Stills from Super T-Art. | 116 |
Jaci | The Snail | |
Jonas, Joan | Mirror Piece | 117 |
Flack, Audrey | Marilyn Monroe | 117 |
Haynes, Deborah | Body Imperatives | 118-19 |
Gioseffi, Daniela | Birth Dance or Belly Dance | 120-21 |
Two female singers and dancers | 120 | |
Hoag, Linda Ann | 121 | |
Courtot, Martha | Two Poems by Martha Courtot | 122 |
Freedman, Deborah | Transformation | 123 |
Stone, Merlin | 9978: Repairing the Time Warp: and other related realities | 124-26 |
A.M. | 126 | |
Healy, Anne | Hectate | 127 |
Schneeman, Carolee | In the Performance INTERIOR SCROLL | 128 |
"Glossary" | 128-31 | |
Mariedaughter, Paula | A Random Though | 131 |
"New Book Releases" | 132 | |
"Resources" | 132-33 | |
"Exchange Service Announcements" | 133-36 | |
"Subscription Form" | 136 | |
"Upcoming Issues" | 137 |
Heresies Article Index Issue #6- On Women and Violence
Artist/Author | Title | Page(s) |
Editorial Team | The 6th Issue Collective Statement (Editorial) | 1 |
Thompson, Sharon | Pink Victory | 2,4,6-7,8, 10 |
Barrat, Martine | The Vicki Tapes | 3-5,7-11 |
McDonald, Lou | August 2nd | 11 |
Shange, Ntozake | With No Immediate Cause | 12 |
Editorial Team | Editorial | 13-15 |
Grey, Paula | The Evolution of a Violent Act | 14-15 |
Webster, Paula | Politics of Rape in a Primitive Society | 16-18,20,22 |
Photos on Pages 17-18 | 17-18 | |
Weinbaum, Batya | Dialogue with a Rapist | 19,21 |
Pajaczkowska, Claire and Weinbaum, Batya | Dialogue with the Author | 19, 21-22 |
Spero, Nancy | Codex Artaud XVII | 23 |
Editorial Team | Editorial | 24-25 |
Oursler, Stephanie | Happy New Year: An Album of Violence (excerpt) | 26-27 |
Page, Anita | The Pleasure Outing | 27,29,31,33 |
Hosken, Fran P. | The Violence of Power: The Genital Mutilation of Females | 28-32,34 |
Female Genital Mutilation in Africa: Countries, Regions, Population | 28 | |
34 | ||
DuPlessis, Rachel Blau | Breasts | 35 |
Smith, Mimi | Peignoir and Girdle | 36 |
McAllister, Pam | Wolf Whistles and Warnings | 37,39 |
Friedlander, Judith | Crimes Against Women: New York Tribunal 1976 | 38,40-43 |
Various | Testimonies | 41-43,45 |
Hagberg, Karen | Why the Women's Movement cannot be Non-violent | 44 |
Dworkin, Andrea | Biological Superiority: The World's Most Dangerous and Deadly Idea | 46-51 |
Hakim, Eleanor | In Defense of Fallen Comrades: La Mutualite | 46-48 |
Simms, Donna Allegro | A Rape Poem for Men | 49 |
Lapidus, Jacqueline | Christmas Dinner | 50 |
Lombardo, Linda | Men on Women's Day | 51,53 |
Telsey, Nadia and Maslanko, Linda | Self-Defense | 52-53 |
Editorial Team | Editorial | 54-57 |
Metzger, Mary | A Social History of Battered Women | 58,60-63 |
Petchesky, Roz | Face to Face with the Far Right: Tradition, Family and Property | 59,61,63 |
(unknown) | Chapter VII: Unusual Prisoners: Section 3 Sex Deviates | 64 |
Bram, Susan | Women and Cgildren First or How Pop Planning Fucked Over Mom | 65,67,69,71,73 |
Cook, Blanche Weisen | Psychosurgery for Social Control | 66,68,70 |
Windstone, Shebar | The Mind-Fuckers Statement | 68 |
Editorial Team | Editorial | 72-73 |
Harrison, Margaret | Homeworkers | 74-75 |
Lacy, S.; Labowitz, L.; London, J.; and Howart, J. | Evolution of a Feminist Art: Public Forms and Social Issues | 76,78-79,81-85 |
Lipton, Eunice | The Violence of Ideological Distortion: The Imagery of Laundresses in the 19th Century French Culture | 77,79,81,85 |
Zier, Edouard | La Petite repasseuse repassait (The Little Ironer Ironing) | 77 |
Zier, Edouard | La Repasseuse (The Ironer) | 77 |
Menta, Edouard | Blanchisseuse (Laundress) | 77 |
Steroscopic photographs | 79 | |
Editorial Team | Editorial | 87 |
Pottenger, Marty | The Carrot | 89 |
Koenig, Janet | The Social Meaning of Violence | 90-91 |
Fig 6.2 Symptoms of frustration | 91 | |
Bellessi, Diane | Hello New York: Let's Settle Scores Compadre--Part 1 | 92-95 |
Sapphire | Rain | 93 |
Sapphire | New York City Tonight | 96-97 |
Solomon, Diane | Afternoon Stroll | 98-99 |
Schneider, E.M.; Jordan, S.B.; Arguedas, C.C. | Representation of Women Who Defend Themselves in Response to Physical or Sexual Assault | 100-04,106-09 |
Our Lady of Perpetual Help School, NY | 101 | |
McCarthy, Elaine B. | Rape Case Disposition | 103 |
Charoula | On Being Inside: Violence in Women's Prisons | 105, 107, 109, 111, 113, 115 |
Our Lady of Perpetual Help School, NY | 105 | |
N.Y. State prison guard Charles Holland adressing a KKK rally held on his land | 111 | |
Malikah-B.H.C.F. | Poem | 109 |
Smithers, Carolyn | Chains Release Me | 113 |
Mapp, Dollree | Pooah-Pooah Woman | 115 |
Broumas, Olga | Imogene Knode | 116 |
"Collective Members" and "Thanks to:" | 117 | |
"Bibliography" | 118-122 | |
"Contributors" | 122-125 | |
"Heresies is" | 126 | |
"Previous Issues" "Next Issues" | 128 |
Heresies Article Index Issue #7 - Women Working Together
Artist/Author | Title | Page(s) |
Editorial Team | "Women Working Together" --Issue Contents | 1-2 |
Editorial Team | Editorial | 3-5 |
Land, Sharli Powers | Working Under Cover | 6-10 |
Illustrations From Covers | 6 | |
Clear Acrylic Food Cover | 8 | |
Christy, Rocky | Women at Work Rebuilding Communities | 11-13 |
Coleman, Penny | Beverly, Carol and Leslie at Earthtones Boutique | 11 |
Wolverton, Terry | Lesbian Art Project | 14-19 |
Tough Dykes: The NatalieBarney Collective | 14 | |
Nonstereotyped Images: The Natalie Barney Collective | 15 | |
Dworkin, Andrea | the new womans broken heart | 20-23 |
Blumenthal, Lyn | Lockerroom/Shift | 24-27 |
Large clean cloakroom with clothes hung in rows on stands | 25 | |
Gull-length mirror and lockers supplied the women for coats and hats | 26 | |
Two hundred ten lockers costing $1,500 | 27 | |
Willey, Margaret | Portrait of an Office | 28-24 |
Various (Group Project) | Downtown Saturday Night | 35 |
McDaniel, Judith | Is There Room for Me in the Closet-- Or My Life as the Only Lesbian Professor | 36-39 |
(Lesbian: A Definition) | 37 | |
King, Maryann and Bradley, Barbara | Barrier-Grid | 39 |
Rogers, Dorothy | "Oh, Miss!" | 40-43 |
Carliner, J.; Kaufman, J.; and Robinson, A. | Hanging Together: An Interview with Aerialists Donna Farina and Mia Wolff | 44-49 |
Mia Wolff holds Donna Farina in an "iron-jaw descent down the web" | 44 | |
Robinson, Abby | 46 | |
Robinson, Abby | 47 | |
Robinson, Abby | 48 | |
Safford, Nancy | France | 50-51 |
Safford, Nancy | 50-51 | |
Brodine, Karen | Opposites that Bleed One into the Other or Collide | 52 |
Domestic Workers Association. Miss Robinson and group of workers | 53 | |
Leicher, Karen | Snapshot: Minimum Wage | 54-57 |
Farm Labor Union, Galena Unit No. 26. | 57 | |
Quebec feminists demonstrate for "Abortion in Sanitary Conditions" and ask, "If Trudeau were pregnant, would he accept charlatans?" | 57 | |
Ascher, Carol | Women Working with Women in the University | 58-63 |
Azara, Nancy | 58-59 | |
Azara, Nancy | The Group (A Mandala) | 61 |
Beaven, B.; Miriam, S.; Shea, P.; and Stockwell, S. | Bloodroot: Four Views of One Women's Business | 64-69 |
Selma, Samn, and Betsey | 64 | |
Pat Shea | 69 | |
Uniforms | 70-71 | |
Pohl, Constance | Rocking the Docks: Women on the Waterfront | 72-75 |
Get Thee to the Mother House-- Or, The Significance of the Presence of Reall Bread in Mass | 76-79 | |
The bread of the Mother House, Order of St. Helena | 77 | |
Sister Josephine, a maker of the loaf | 78 | |
and Sister Irene, who used to eat the bread. | 79 | |
Zucker, Barbara | Making A.I.R. | 80-82 |
Past and Present A.I.R. members | 80 | |
Howardena Pindell | 82 | |
Sanford, Wendy Coppedge | Working Together, Growing Together: A Brief History of the Boston Women's Health Collective | 83-92 |
(Group Picture-Boston Women's Health Collective) | 83 | |
From The Anatomy and Diseases of the Breats | 84 | |
Bronze fertility amulet represents fetus in utero. | 85 | |
Terra cotta ex-voto represents the vulva | 85 | |
From Oriental prototype of Funfbilder series | 86 | |
Miniature of pregnant woman pictured with no external genitalia, flask shaped uterus | 86 | |
Woodcut from Ketham's Fasciculus medicinae | 87 | |
Clay drawing of a woman giving birth; baby's head is visible | 88 | |
The human fetus from the first to tenth month | 91 | |
Vaginal speculum and tenaculum | 92 | |
Vaginal speculum, | 92 | |
The Heresies Collective | "True Confessions" | 93-96 |
The Heresies Collective | (A Brief Chronology) | 94 |
Lineback, Gail | 96 | |
Batchelder, eleanor Olds and Marks, Linda Nathan | Creating Alternatives: A Survey of Women's Projects | 97-127 |
"Errata from Heresies #6" | 128 | |
"Contributors" | 128 | |
"Upcoming Issues of Heresies" | 129 |
Heresies Article Index Issue #8 - Third World Women
Artist/Author | Title | Page(s) |
Editorial Statement | 1 | |
Pindell, Howardena | Criticism/or/Between the Lines | 2-4 |
Pindell, Howardena | Yes-No | 3 |
Rayl, Gloria | Untitled | 4 |
Trujillo, Marcella | The Dilemma of the Modern Chicana Artist and Critic | 5-10 |
Our Lady of Guadalupe, Patron Saint of Mexico | 7 | |
Jaramillo-Trout, Gloria | 10 | |
Bellesi, Diana | Human Word, Sacred Word | 11-16 |
"Mint" Manden | 16 | |
Wife of the Six | 16 | |
Smith, Juane Quick-to-See | Painter's Chant | 17 |
Smith, Juane Quick-to-See | Wallowa Waterhole Series | 17 |
Browne, Vivian E. | A Photo Essay on the People's Republic of China | 18-23 |
Browne, Vivian E. | Retired workers, Mr. and Mrs. Chou, and the author | 18 |
Browne, Vivian E. | Farm workers on the road, Tsinan | 19 |
Browne, Vivian E. | Women reading at a sidewalk bookstall, Canton | 20 |
Browne, Vivian E. | Instructor at the Shanghai Conservatory� | 21 |
Browne, Vivian E. | Veteran worker at the Peking glass factory | 22 |
Browne, Vivian E. | Veteran painter | 23 |
Harris, Valerie | Power Exchange 1: Chris Choy | 24-27 |
Goldner, Janet | Chris Choy | 25 |
Mealy, Rosemari | Some Reflections on Black Women in Film | 28-30 |
Mrs. Roseanelle Powell | 30 | |
Flowers, Yvonne A. | On Never Quite Being Good Enough: Legal Institutional Racism, Sexism and Elitism | 31-32 |
Vetchen, Carl Van | Zora Neale Hurston | 32 |
Friends of Mabel Hampton | 33 | |
Shabazz, Naeemah | Homophobia: Myths and Realities | 34-36 |
Magdalena Suarez Frimkess. | 35 | |
Piper, Adrien | Political Self-Portrait #2 | 37-38 |
Without Consent | 39 | |
Cortez, Jayne | So Many Feathers | 40-41 |
Josephine Baker | 40 | |
Harris, Valerie | Power Exchange 2: Barbara Ann Teer | 42-44 |
Barbara Ann Teer | 43 | |
SECRETARY Pauline Stout� | 44 | |
Stetson, Erlene | A Note on the Woman's Building and Black Exclusion | 45-47 |
Blocton, Lula | Ground Plan of Woman's Building | 46 |
Ida B. Welles-Barnett | 47 | |
Buchanan, Beverly | Wall Fragment/Ga | 48 |
Cliff, Michelle | Against Granite | 49 |
Malveaux, Julianne | Three Views of Black Women--The Myths, the Statistics and a Personal Statement | 50-55 |
Li-Lan | Canvas with an Unpainted Part | 56-57 |
Smith, Eleanor | And Black Women Made Music | 58-64 |
Farmer, Sharon C. | Betty Carter | 61 |
Beechman, Marcus | Ellabelle Davis | 63 |
Esteves, Sandra Maria | Music is My Lover (for Ntozake Shange) | 65 |
Whitehorse, E.; Jaramillo, V.; Blocton, L.M.; Zarina; Page, A.; Li-Lan | The Other Portfolio | 66-71 |
Whitehorse, Emmi | Sand Painting | 66 |
Jaramillo, Virginia | Visual Theorems #170 | 67 |
Blocton, Lula Mae | Ribbons Remembered | 68 |
Zarina | Wall | 69 |
Page, Ann | Deflect | 70 |
Li-Lan | Notebook | 71 |
Russell, Dawn | Black Women and Work: My Experiences | 72-75 |
Odoms, Katherine | Seamstress on Line | 76 |
Sheen, Barbara | Maria | 77-79 |
Harjo, Joy | Remember: Letter to a Young Indian Poet | 79 |
Harris, Valerie | Power Exchange 3: Suni Paz | 80-82 |
Goldner, Janet | Suni Pazi | 81 |
Lopex, Yolanda M. | Three Generations | 83 |
Thompson, Phyllis | Patchwork | 84 |
Swartz, Barbara | Inmate Mothers and Their Children | 85-88 |
Lino, Maria | Incarceration #2 | 86 |
Cabanas, Suzana | The Imposter | 88 |
Mendieta, Ana | Silueta Series | 89 |
Ikeda-Spiegel, Motoko | Concentration Camps in the U.S.A. | 90-97 |
Hall, Katherine | The Alien | 98 |
Russell, Michele | Black Eyed Blues Connections: From the Inside Out | 99-105 |
Saar, Betye | Four Women in a Storm | 105 |
Chabran, Myrtha | Visit to the Dentist: Dilectics | 106 |
Cochrane, Martha | Visual | 107 |
ACTION AGAINST RACISM IN THE ARTS | 108-111 | |
DeSalvo, Donna | Demonstration at Artists Space | 109 |
Lorde, Audre | Need | 112-114 |
Harris, Valerie | Power Exchange 4: Camille Billops | 115-117 |
Goldner, Janet | Camille Billops | 116 |
Women and Census Form | 118-119 | |
Munoz, Amina | Isabela | 120-121 |
Notes on Contributors | 122-123 | |
Other Reading Sources | 124-125 | |
(Adverts) | 126-128 | |
Upcoming Issues of Heresies | 129 |
Heresies Article Index Issue #9 - Organized Women Divided
Artist/Author | Title | Page(s) |
(Dear Reader) | 1 | |
(what is HERESIES) | 2 | |
Dedication to SUZANNE HARRIS | 3 | |
Hughes, Lyn | Media Photos I by Lyn Hughes | 4 |
Ehrenreich, Barbara | A Funny Thing Happened on the Way to Socialist Feminism* | 5-6 |
Gravier, Nicole | Myths and Cliches` | 7 |
Paley, Grace | Edie and Ruthy | 8-10 |
Fisher, Bernice | Who Needs Woman Heroes? | 10-13 |
Gregory, Carole E. | Black Activists | 14-17 |
Zelvin, Elizabeth | Women Who Is Not My Sister | 17 |
Malina, Judith | From the Brazilian Diaries | 18-21 |
Chilean Arpillera | 21 | |
Rogers, Susan G. | Anti-Colonial Protest in Africa: A Female Strategy Reconsidered | 22-25 |
Wex, Marianne | from "Female and Male Body Language" | 26-27 |
Labowitz, Leslie | Developing a Feminist Media Strategy | 28-31 |
BACKLASH | 31 | |
Willenborg, Eileen | Organizing with Music: Blazing Star | 32-33 |
Walker, Kate | Feministo: A Portrait of the Artist as a Young Housewife | 34 |
Lippard, Lucy R. | Some Propaganda For Propaganda | 35-39 |
Stevens, May | Taking Art to the Revolution | 40-44 |
Hammond, Harmony | Horseblinders | 45-47 |
Brodine, Karen | Journal Entries: Always the ideas Carry Themselves Forward | 48 |
Holt-Seeland, Inger | Women's Work at Celso Maragota | 49-51 |
Janda, Judy | Visiting Day at La Amada | 50 |
Morejon, Nancy | Women in a Tobacco Factory | 51 |
Garcia, Nereyda | Cuba/Chicago | 52-53 |
Allen, Paula Gunn | Letter to a Young Artist | 54 |
Adler, Abigail | Roberta Blackgoat marches to save her home | 55 |
(Collage) | 56-57 | |
Russell, Michele G. | Women, Work and Politics in the U.S. | 58-62 |
Clausen, Jan | Thesis: Antithesis | 63-67 |
Robins, Myrna | Lesbian Friends | 67 |
Lifrieri, Jennie Rose | Sex, Sin, & Abortion | 68-69 |
Brooke | The Chador of Women's Liberation: Cultural Feminism and the Movement Press | 70-74 |
Rich, Ruby | In the Name of Feminist Film Criticism | 74-81 |
Mangolte, Babette | From Yvonne Rainer's Film about a Woman Who | 77 |
(Stills from three different films) | 79 | |
Forer, Anne U. | I Just Sent in a Job Application to a Right-wing Magazine | 82-87 |
Nugent, Barbara | Sisterhood is Powerful | 87 |
Hackney Flashers Collective | Who's Holding the Baby? | 88-89 |
Rich, Adrienne | Culture and Anarchy | 90-93 |
(Adverts) | 94-95 | |
Hughes, Lyn | Media Photos II by Lyn Hughes | 96 |
(upcoming issues) | 97 |
Heresies Article Index Issue #10 - Women and Music
Artist/Author | Title | Page(s) |
John, Kathleen St. | Centipede | 1 |
Pool, Jeannie G. | A Critical Approach to the History of Women in Music | 2-5 |
Spiegel, Laurie | The Unquestioned Answer | 5 |
Grant, Barbara L. | An Interview with Sybil of the Rhine: Hildegard von Bingen (1098-1179) | 6-10 |
McGinnis, Ann Cain | Music and Healing | 11-14 |
Taylor, Valery | Untitled | 13 |
Smith, La Donna | Partbe | 14-15 |
Hilderley, Jeriann | A Woman Remembers Her Music | 16-17 |
Weber, Julie J. | Everything Vhanges and Grows | 18-19 |
Weber, Julie J. | Examples from the "inherent nature" of some fragments | 19 |
Various | Is There a Feminist Aesthetic in Music? | 20-24 |
Davies, Diana | Biafran War Refugees Sing Hymns at Dawn at Food Relief | 23 |
Gardner, Kay | Atlantic Rising | 25 |
Various | Critics/Performers?Composers | 26-28 |
Rosen, Judith | Frazyna Bacewicz (1909-1969) | 28-30 |
Thompson, J.K. | Florence B. Price | 31 |
Semegen, Daria | Once More, With Feeling | 32-33 |
Wilson, Lynn | Letters from a Composer | 34-35 |
Anderson, Beth | My Personal Approach to Music | 36-37 |
Jepson, Barbara | Rith Crawford Seeger: A Study in Mixed Accents | 38, 40-43 |
Cardullo, Karen M. | Ruth Crawford Seeger: Preserving American Folk Music | 39, 44-45 |
Gunden, Heidi Von | Whistle Music: A Sonic Excorcism | 45 |
Cormier, Holly Hendricks | Women in Folk Song | 46-48 |
Anderson, Ruth | Silent Sound | 48 |
Hayes, Evelyn | Banjo Women | 49 |
Lindemann, Carolyn Anderson | Meet the Women Composers of Rags | 50-51 |
Russell, Michele | Slave Codes and Liner Notes | 52-56 |
Reitz, Rosetta | Mean Mothers: Independent Women's Blues | 57-60 |
Thomas, Alverta | Singing Praises: Women in Gospel Music | 61-64 |
Gossett, Hattie with Johnson, Carolyn | jazzwomen: they're mostly singers and piano players, only a horn player or two, hardly any drummers | 65-68 |
Carter, Betty and Hope, Akua Lezli | Bebop Womantones | 69 |
Lawson, Janet | Blowing on the Changes: Reflections of a Jazz Woman | 70-73 |
Riley, Joanne | Women and Music: Straining Our Ears to the Silence | 74-79 |
Eskimo woman | 76 | |
Duncan, M. W. | Rechenda, an Apache | 78 |
Densmore, Frances | Annie Long Tom. From Nootka and Quiluete Music | 79 |
Peterson, Elsa | On The Trail of Red Sky Lady and Other Scholars | 80-82 |
Rosebrook, Jaqueline Higgins | COPYRITE | 83 |
Rosebrook, Jaqueline Higgins | Look What You've Done to My Song | 83-85 |
Lems, Kristin | Open Notes But No Closing Cord: ON MALVINA REYNOLDS | 86-87 |
Davies, Diana | Malvina Reynolds | 87 |
Pipik, Jane E. | Women-Identified Music: Moving On | 88-90 |
Fuller, Clythia | Mary Watkins | 89 |
Fuller, Clythia | Carolyn Brandy | 89 |
Fuller, Clythia | Kay Gardner | 90 |
Fuller, Clythia | Robin Flower | 90 |
Fuller, Clythia | Casse Culver | 90 |
Stern-Wolfe, Mimi | Women Musicians Collective | 91-92 |
Hays, Doris | Uni | 92 |
Frau und Musik | Reports Grom Europe | 93 |
Collective Farm Workers | 93 | |
Various | Some Resources | 94 |
Davies, Diana | Singer, New York Subway System | 94 |
(ADVERTS) | 95-96 | |
(UPCOMING ISSUES) | 97 |
Heresies Article Index Issue #11 - Making Room: Women and Architecture
Artist/Author | Title | Page(s) |
(Table of Contents) | 1 | |
Statement | 2 | |
Rondanini, Nunzia | Architecture and Social Change | 3-5 |
Weisman, Leslie Kanes | Women's Environmental Rights: A Manifesto | 6-8 |
Weisman, Leslie Kanes | 6 | |
Lane, Bettye | 7 | |
Sutton, Sharon | Street Museum | 9 |
Francis, Pat Therese | "Where Do You Live?": Women in the Landscape of Poverty | 10-11 |
Kennedy, Margrit | Seven Hypotheses on Female and Male Principles in Architecture | 12-13 |
Kowalski, Karla | Funeral Chapel Schwarzach St. Veit | 13 |
Wekerle, Gerda R. | Women House Themselves | 14-16 |
Anderson, Gun | Women renovating a woman's house� | 16 |
Francis, Susan | Women's Design Collective | 17 |
Lindquist, Christine | Sweat Equity and the Women of St. Columba's | 18-19 |
Price, Gail | The abandoned townhouse purchased by El Club del Barrio | 18 |
Adam, K.; Aitcheson, S. E.; Sprague, J.F. | Women's Development Corporation | 19-20 |
Price, Gail | Architects' Community Design Center: A Conversation with Toni Harris | 21-22 |
Helfer, Helen; Weisman, Leslie Kanes | Rescource List | 22 |
Rutholtz, Ruth; Sung, Diana Ming | 23 | |
Wright, Gwendolyn | The Woman's Commonwealth: A Nineteenth-Century Experiment | 24-27 |
The Woman's Commonwealth | 25 | |
The Central Hotel, 1891. Main Street elevation. | 26 | |
Plan, Central Hotel | 27 | |
Birkby, Phyllis | Herspace | 28-29 |
Hess, Jean E. | Domestic Interiors in Northern New Mexico | 30-33 |
Pollock, Nancy Lee | Women on the Inside: Divisions of Space in Imperial China | 34-37 |
Thomson, John | House of the Official, Yang, Peking | 34 |
Fennel, Nigel | Plan of a Chinese House | 35 |
Tsien, Billie | Liberty | 38 |
Rubbo, Anna | Housing Histories: A Way of Understanding the Social and Personal Meaning of the Domestic Environment | 39-41 |
Maglin, Nan Bauer | Kitchen Dreams | 42-46 |
Unknown | New York tenement kitchen, circa 1905 | 43 |
Unknown | A New York working girl's home, circa 1897 | 44 |
Byron | Cooking Class at Christ Church Memorial House | 44 |
Price, Gail | Cubes in the Sahara | 47 |
Bishop, Jane; Marks, Barbara | A Place of Birth: The Changing Structure of Obstetrical Care | 48-50 |
Chernoff, S. | 50 | |
Torre, Susana | Space as Matrix | 51-52 |
Gilman, Charlotte Perkins | The Passing of the Home in Great American Cities | 53-55 |
Hayden, Dolores | The Feminist Paradise Palace | 56-58 |
Greenbaum, Joan | Kitchen Culture/Kitchen Dilectic | 59-61 |
Barkin, Carol | Electricity Is Her Servant | 62-63 |
McGroarty, Jane; Hayden, Deborah | Environment As Memory: An Interview with Eileen Gray by Jean Badovici | 64-65 |
Dennis, Donna | Two Stories with Porch | 64 |
Connor, Maureen | Installation View | 65 |
Connor, Maureen | Column A | 65 |
Robertson, Donna | The Bessie Smith Memorial Dance Hall located somewhere in Harlem | 66-67 |
Nevins, Deborah F. | Eileen Gray | 68-71 |
Nevins, Deborah F. (translated by) | From Electicism to Doubt: An Interview with Eileen Gray by Jean Badovici | 71-72 |
Dietsch, Deborah | Lilly Reich | 73-76 |
Cranz, Galen | The Sharon Building: The Transformation of Women's Recreational Needs in the Late Nineteenth-Century City | 77-79 |
First municipal playground in the U.S. | 77 | |
Morris, Ellen K. | Vignettes in Architectural Education: A Letter from the Ivory Tower | 80-81 |
McNeur, Lorna | The City Within the Landscape | 82 |
Balmori, Diana | Beatrix Farrand at Dumbarton Oaks | 83-86 |
Rock, Cynthia | Building The Women's Club in Nineteenth-Century America | 87-90 |
Parker (later Nichols), Minerva | Drawing room stage, New Century Club, Wilmington Deleware, 1893. | 87 |
Boutelle, Sara Holmes | Women's Networks: Julia Morgan and Her Clients | 91-94 |
Edelen, James H. | Phoebe Hearst Administration Building | 92 |
(ADVERTS) | 95-96 | |
(UPCOMING ISSUES) | 97 |
Heresies Article Index Issue #12 - Sex Issue
Artist/Author | Title | Page(s) |
Editorial | 1 | |
Anonymous | Typical Week and a Half | 1 |
Friedrich, Su | The Dilemma of the One Who Wants Both and Neither | 2 |
Thorning, Helle | The Mother-Daughter Relationship and Sexual Ambivalence | 3-6 |
Powell, Mary Clare | Ann's Dream I and II | 3-4 |
Green, Vanalyne | The Book of Love | 5 |
Huston, Nancy | Anatomies and Destinies (Fragments) | 7 |
Brenner, Summer | Vini | 8 |
Segal, Sondra | The Babyman | 9 |
Kelly, Mary | Post-Partum Document | 9 |
Decarnin, Camilla | Interviews with Five Faghagging Women | 10-14 |
Gossett, Hattie | intro & 10 takes | 15-18 |
Gossett, Hattie | yo daddy!-- an 80s version of the dozens | 19 |
Meyers, Diane | Photos | 19 |
Corbett | Simple Truths | 20 |
Corinne, Tee | Study for a Book of Lesbian Erotic Images | 20 |
Nestle, Joan | Buth-Fem Relationships: Sexual Courage in the 1950's | 21-24 |
Impersonals | 25 | |
Editorial | 25 | |
Whisler, Sandra M. | The Celibacy Letters | 26-28 |
Editorial | 29 | |
Fried, Nancy | Susan and Nancy | 29 |
Kenny, Kay | Photo | 29 |
Califia, Pat | Feminism and Sadomasochism | 30-34 |
Jersey Shore Women's Wrestling Club | 35 | |
Weene, Seph | Venus | 36-38 |
Simpson, Coreen | The Stripper | 38 |
Editorial | 39 | |
Golden, Eunice | The Male Nude in Women's Art: Dialectics of a Feminist Iconography | 40-42 |
Neel, Alice | Joe Gould | 40 |
Strider, Marjorie | Eros Kalos | 41 |
Golden, Eunice | Rape #2 | 42 |
Hammond, Harmony | A Sense of Touch | 43-47 |
Hamouda, Amy | Rope Pool | 43 |
Jeb | (Photo) | 44 |
Semmel, Joan | Hand Down | 45 |
Wilke, Hannah | 3 Sisters | 46 |
Sabasu, Irare | Island Cabin | 47 |
Saar, Betye | Gently Stalking Solitude | 47 |
Webster, Paula | Pornography and Pleasure | 48-51 |
Cory | Tits and Clits Comix | 48-49 |
Hydler, Glenda | From Purity pink and everything neat | 51 |
Fellman, Sandi | Mustang Ranch | 52-53 |
Weinbaum, Batya | Oh Yes Come In | 54 |
DeGenevieve, Barbara | True Life Novelette | 54 |
Winston, Mary | A Father's Influence on the Sexuality of a Young Woman | 55-57 |
Editorial | 57 | |
Hollibaugh, Amber and Moraga, Cherrie | What We're Rollin Around in Bed With� | 58-62 |
Vitale, Sylvia Witts | A Herstorical Look at Some Aspects of Black Sexuality | 63-65 |
Dimen, Muriel | Variety is the Spice of Life. | 66-71 |
Sipprelle, Diane | SSSexuality | 66 |
Hughes, Lyn | Odalisque | 67 |
Harmel, Carol | 68 | |
Winant, Fran | The Kiss | 70 |
Basu, Rekha | Sexual Imperialism: The Case of Indian Women in Britain | 71-73 |
Jacobson, Doranne | Mannequin in Bridal Dress | 72 |
Jacobson, Doranne | Bride's Feet | 72 |
Anti-dowry demonstration organized by NFIW | 73 | |
Mays, Vickie M. | I Hear Voices But See No Faces | 74-76 |
Last three surviving Amazons of Dahomey in 1937 | 75 | |
Kunz, Alesia | I Met a Woman | 77-79 |
Lehman, J. Lee | Lust is Just A Four-Letter Word | 80-81 |
Heller, Janet Ruth | Lovenotes II and IV | 81 |
De Sando, Sandra | Making Art/Making Love | 82-84 |
Donnell, Radka | Confessions of a Quiltest | 85-87 |
Simon, Leslie | Counterpoint | 87 |
Troeller, Linda | Leg over Cactus | 87 |
McGee, Micki | Narcissism, Feminism, and Video Art | 88-91 |
Joanas, Joan | Vertical Roll | 88 |
Benglis, Lynda | Document | 89 |
Dean, Marge | Things Have Changes over the Years | 89 |
Rosler, Martha | Vital Statistics of a Citizen, Simply Obtained | 89 |
Angelo, Nancy and Compton, Candace | The Nun and the Deviant | 91 |
Editorial | 92 | |
Kruger, Barbara | Perfect | 92 |
News Flash: People Organize to Protest Recent NOW Resolution on Lesbian and Gay Rights | 92-93 | |
Brown, Laura Sky | Burnout | 94 |
Editorial | 94 | |
(ADVERTS) | 95-96 | |
(UPCOMING ISSUES) | 97 |
Heresies Article Index Issue #13 - Earthkeeping/Earthshaking: Feminism & Ecology
Artist/Author | Title | Page(s) |
Rosseau, Ann Marie and Henry, Diana Mara | Women's Pentagon Action | 1 |
DEDICATION | 2-4 | |
Briggs, Shirley A. | Dedication: Rachel Carson: A Corrective Memoir | 2 |
Falk, Florence | Dedication: Karen Silkwood: Laundered News | 3-4 |
Griscom, Joan L. | On Healing the Nature/History Split in Feminist Thought | 4-9 |
Godwin, Michele | Growth | 7 |
Simpson, Lorna | 9 | |
Henes, Donna and Jenkins, Sarah | Chant For Peace | 10-11 |
King, Ynestra | Feminism and the Revolt of Nature | 12-16 |
Lanyon, Ellen | Transformations II (Endangered) | 12-15 |
Garton, Victoria | Prairie Judas | 16 |
Oatman, Christine | Trying Oats (As If It Were Children's Hair) | 16 |
Olguin, R., with Temkin, M.; Elk, L. R., with Stern, C.; Hawk, M. T., with Bowker, M. | Listening to Native American Women | 17-21 |
Jenkins, Sarah | The Long Walk arrives in NYC | 17 |
Mendieta, Ana | La Venus Negra | 22 |
Mendieta, Ana | Silueta Series | 22 |
Wilding, Faith | Seed Work | 23 |
Cameron, Shirley | Performances with My Life | 23 |
Wise, Nina and Elder, Lauren | Singing My Mother to Sleep | 24-25 |
Ake, Dan | 24 | |
Kiddle, Catherine | Gypsy Women and the Land | 26-30 |
Sherk, Bonnie | Crossroads Community (The Farm) Is an Alternative to Art Spaces | 31 |
Hattie Carthan: Roots Grow in Brooklyn | 32 | |
Lanyon, Ellen M. | "Leave the World More Beautiful Than You Found It" | 33 |
Salzman, Lorna | Energy Modes: Towards a Harmony of the Biosphere | 34-36 |
Benyon, Margaret | Unclear World I | 35 |
Padilla, Milagros | Working Women and Issues of Health and Safety | 37 |
Pitrone, Anne | Land of the Gypsies | 38-39 |
Korman, Harriet | Untitled | 39 |
Disband | Rebel and Black Lung | 39 |
Gibbs, Lois and Smith, Pat | Action from Tragedy: Women at Love Canal and Three Mile Island | 40-43 |
Liss, Carla | Windows (from Secrets of Three Mile Island) | 42 |
Domingo, Chris | We All Live in a Tomic Submarine | 43 |
Logemann, Jane and Gellis, Sandy | Interviews: Art and Science | 44-45 |
Ingalls, Eve | Deviations | 46 |
Spater, Suzanne | Waves | 46 |
Culbertson, Janet | Ecotage! | 47-49 |
Lippard, Lucy R. | Home Economics | 50-55 |
Manushi Collective | Drought: God-Sent or Man-Made Disaster? | 56-58 |
Manushi Collective | The Chipko Movement | 57 |
Caruthers-Akin, Maryanne | America the Beautiful | 58 |
Feigenbaum, Harriet | Where Should Land Art Go? | 59 |
Rohrlich, Ruby and Nash, June | Patriarchal Puzzle: State Formation in Mesopotamia and Mesoamerica | 60-65 |
Kettler, Georgina | Goddess Mounds, Arena | 64 |
Belli, Gioconda | La Madre/The Mother | 66 |
Montealegre, Margarita | 66 | |
Alegria, Claribel | Soy Espejo/I Am Mirror | 67 |
Zamora, Daisy | "I Had to Break with All That By Going to Fight" | 67-70 |
Vicuna, Cecilia | Glass of Milk Spilled Under a Blue Sky | 71 |
Hong, T.; Anh, H. T.; Tai-Tai, W. with Peer, Linda | Like a Trophy of Love | 72-73 |
Lupas, Ana | Flying Carpet/Symbol of Peace/Object Obtained by Happening with Holy Character | 73 |
Tom, Sally Austen | The Hazards of Infant Formula | 74-75 |
Saxe, Susan | Ask a Stupid Question | 75 |
Ukeles, Mierle Laderman | "Re-Raw Recovery" Competition | 76 |
Janto, Phyllis | Earth Museum | 76 |
Stuart, Michelle | Logbook for Disgrace | 77 |
Millon, Chris | Death Drawings/Hunting in the Suburbs | 78 |
Branigan, Cynthia A. | Furs: Who Really Pays? | 78-79 |
Strasen, Barbara | From Desert Notes | 79 |
Nenner, Paulette | Crucified Coyote | 80 |
Fuerst, Shirley | Factory Farming | 81 |
Rupp, Christy | The Rat Patrol | 81 |
Moore, Sabra | About | 82-83 |
Pearson, Carol S. | Towards a New Language, Consciousness and Political Theory: The Utopian Novels of Dorothy Bryant, Mary Staton and Marge Piercy | 84-87 |
Pepin, Yvonne Mary | Female Symbol | 84 |
Edelson, Mary Beth | Up from the Earth | 85 |
Schumann, Sarah | Collage | 87 |
Various | Environmental Sculpture | 88-91 |
BIBLIOGRAPHY | 92 | |
LETTERS | 93-94 | |
Fox, Marilyn | 93 | |
UPCOMING ISSUES | 94 | |
ADVERTS | 95-95 |
Heresies Article Index Issue #15 - Racism is the Issue
Artist/Author | Title | Page(s) |
Morales, Rosario | The Origins of Racism | 1-5 |
Gutierrez, Marina | Untitled | 5 |
Nishio, Linda | Ki-ko-e-ma-su Ka (Can you hear me?) | 6 |
Hill, Linda | The Ambiguous Journey of a Woman in Search of Culture | 7-8 |
Koenig, Janet | Commemorative Stamp Series | 8 |
Carr, Cynthia | Testimony of a Girl | 8 |
Blum, Judy | "Moving Along" | 9 |
Vicuna, Cecilia | Death and Defense: Guatemalan Women Part 1: Interview | 10-12 |
Foppa, Alaide | Death and Defense: Guatemalan Women Part 2: Interview | 12-13 |
Spero, Nancy | Alaide Foppa de Solorzano Disappeared in Guatemala City on Dec. 9, 1980 | 14 |
Randolph, Tess | Mistaken Identity | 14 |
Lorde, Audre | Sister Outsiders | 15-16 |
National Anti-Klan Network | 16 | |
Koba, Helen | Girls in Patterson | 16 |
Amos, Emma | Some Do's and Don'ts for Black Women Artists | 17 |
Amos, Emma | Self-Portrait | 17 |
Vicuna, Cecilia | Choosing the Feather | 18-19 |
Vicuna, Cecilia | Arte precario | 19 |
Vitale, Sylvia Wits | Growing Up Negro, Soon to be Black | 20-21 |
Stevens, May | Looking Backward In Order to Look Forward: | 22-23 |
Stevens, May | Letter to Angela | 23 |
Stevens, May | Big Daddy and George Jackson | 23 |
Members of District 1199 | Race? Sex? Class? Prejudice in the Workplace | 24-26 |
Tuthill, Thomas | from: "Take Care, Take Care" | 24 |
Dotter, Earl | Special Picket-line Performance outside Long Island Jewish Hospital | 25 |
Simpson, Lorna | Untitled | 27 |
Poniatowska, Elena | Love Story | 28-30 |
Jaramillo, Virginia | Untitled | 29 |
Cutschall, Colleen | A Victory Song | 31 |
Wong, Nellie | Plain English | 31 |
Henry, Janet | Untitled | 32 |
Allegra, Donna | Some Persoal Notes on Racism Among the Women | 33 |
Cliff, Michelle | Object into Subject: Some Thoughts on the Work of Black Women Artists | 34-40 |
Cattaneo, Danese | Black Venus | 34 |
Johnston, Francis Benjamin | Students Making Barrel Furniturew at Hampton Institute | 34 |
Browne, Vivian | 36 | |
Browne, Vivian | 37 | |
Lewis, Edmonia | Hagar in the Wilderness | 38 |
Powers, Harriet | Bible Quilt (detail) | 38 |
Saar, Betye | The Liberation of Aunt Jemima | 39 |
Gossett, Hattie | Is it True What they Say About Colored Pussy? | 40 |
Mendieta, Ana | Silueta Series | 41 |
O'Grady, Lorraine | Black Dreams | 42-43 |
Twitty, Anne | BlackAndWhiteSnapshots | 44-45 |
Olmos, Margarite Fernandez | Sex, Color, and Class in Contemporary Puerto Rican Women Authors | 46-47 |
Bessouet, Norma | Vigil | 46 |
Heinemann, Sue | Standing Not Still | 47 |
Kubo, Keiko | Mastuda's Wife | 48-49 |
Arai, Tomie | Dialogue | 49 |
Cade, Cathy | Toys-R-Us | 50 |
Ellis, Jan Gadson | A Woman in the World | 50 |
Gregory, Carole | On Becoming a Feminist Writer | 51-52 |
Browne, Vivian E. | Siftings | 53 |
Pindell, Howardena | An American Black Woman Artist in a Japanese Garden | 54-55 |
Wrath Over Racism and Rape | 55 | |
Walker, Alice | If the Present Looks Like the Past, What Does the Future Look Like? | 56-59 |
Dogon kneeling female figure | 57 | |
Parker, Pat | For the White Person who Wants to Know How to Be My Friend | 59 |
York, Hildy | The Suburb Dreams of Evil in Newark, NJ | 59 |
Godwin, Michele | Linoleum Prints | 59 |
Ho, Liang | Asian-American Women: Identity and Role in the Women's Movement | 60-61 |
60 | ||
Snyder, Kit-Yin | Piece for Arco (detail) | 61 |
Snyder, Kit-Yin | P.S. 1-IV (detail) | 61 |
Lacy, Suzanne | The Forest and the Trees | 62-63 |
Korf, Noni | from Tree: A Performance with Women of Ithica | 62 |
Rivchin, Marilyn | from Tree: A Performance with Women of Ithica | 63 |
What did you learn in School? | 64 | |
Smith, Juane Quick-to-See | Ghost Dance Series | 64 |
Paz, Juana Maria | Statement to the Racism Workshop | 64-65 |
Cross, T.; Klein, F.; Smith, Barb.; Smith, Bev. | Face-to-Face, Day-to-Day Racism CR | 66-67 |
Rosenthal, Nadine | Boston Women Demonstrate Against Budget Cuts | 66 |
Cross, Tia | Boston Women Demonstrate against Murders of Black Women | 67 |
Shaw, Lina L. and Wicker, Diane G. | Teaching about Racism in the Classroom and in the Community | 67-71 |
Cross, Tia | 68 | |
Cross, Tia | 69 | |
Cross, Tia | 70 | |
(ADVERTS) | 71-72 | |
(COLLECTIVE STATEMENT) | 73 |
Heresies Article Index Issue #16 - Film/Video/Media
Artist/Author | Title | Page(s) |
(COLLECTIVE EDITORIAL STATEMENT) | 1 | |
Schultz, Victoria | Nicaragua Journal | 2-5 |
Schultz, Victoria | A Sandinist Fighter Guarding the Barricades | 2 |
Schultz, Victoria | Mario with his six-year-old son Jesus | 5 |
Goldson, Annie | Three-Minute Heroes | 6-10 |
Barry, Lynda | Girls and Boys | 7 |
Zummer, Tom and Goldson, Annie | (Graphics) | 9 |
Miller, Sherry | (Graphic) | 10 |
Parkerson, Michelle | Diva Under Glass | 11 |
Borden, Lizzie | Born In Flames | 12-16 |
Wimmin's Fire Brigade | Red Hot Video Firebombings | 17 |
Lindeman, Nicky | Occupational Hazards | 18 |
Agosta, Diana and Becker, Edith | $11,000 is NOT ENOUGH | 19-23 |
Rothenberg, Erika | (GRAPHIC) | 23 |
Nappi, Maureen | Clit Tapes | 24-25 |
Halleck, DeeDee | Ladies Home Channels | 26-29 |
Glasser, Carole | (Drawing) | 26 |
Miliziano, Erika | Horror Movie | 29 |
Friedrich, Su | (Cartoon) | 29 |
Hansen, Miriam | Frauen und Film and Feminist Culture in West Germany | 30-31 |
McGee, Micki | Loose Threads: Excerpts from Catholic Girl in a Calvinized World | 32-33 |
Jubela, Joan | Video Art and the Marketplace OR Mt Life as a Video Disk | 34-38 |
Rudman, Lisa L. | Lois Weber's Sacred Duty | 39-41 |
Friedrich, Su | Gently Down the Stream | 42-45 |
Burton, Julianne and Pick, Zuzana | The Women Behind the Camera | 46-50 |
Campbell, Loretta and Williams, Grace | Black Hairpiece | 51 |
Fonoroff, Nina and Cartwright, Lisa | Narrative is Narrative; So What is New? | 52-56 |
Lowder, Rose | Couleurs mechaniques | 55 |
Thornton, Leslie | Adynata | 56 |
Stott, Jan | C Girls | 56 |
Joritz, Cathy | Neither Personal Nor Best | 57 |
Campbell, Loretta | Reinventing Our Image: Eleven Black Women Filmmakers | 58-62 |
Rhodes, Lisa and Sparrow, Felicity | Her Image Fades As Her Voice Rises | 63-66 |
Koestenbaum, Phyllis | On the Way Back from the Movies | 66 |
Koestenbaum, Phyllis | A TV Movie | 66 |
Lloyd, Tilly | The SP'ITTING IMAGE | 67 |
Agosta, Diana and Osborn, Barbara | If I Ever Stop Believing | 68-72 |
Agosta, Diana and Wallner, Martha | From Pathos to Politics | 73-76 |
Kleckner, Susan | A Personal Decade | 77-79 |
Blumenreich, Julia J. | The Cinema | 79 |
Harris, Merry | Clara Bow (The "IT" Girl) | 79 |
Panteli, Lucy | Fragments of a Filmscript: In Our Own Image | 80 |
Kaplan, E. Ann | The Case of the Missing Mother: Maternal Issues in Vidor's "Stella Dallas" | 81-85 |
Vicuna, Cecilia | Native Vision | 86-87 |
Rhodes, Lis | Light Reading | 88-90 |
Becker, Edith | Women's Media Resource Guide | 91 |
Bologna, Anita | Using the Public Library | 91-92 |
(LETTERS) | 93, 95 | |
(ADVERTS) | 94 | |
(COLLECTIVE STATEMENT) | 95 |
Heresies Article Index Issue #17 - Acting Up!: Women in Theater and Performance
Artist/Author | Title | Page(s) |
(EDITORIAL STATEMENT) | 1 | |
Jones, Kathy Hemmingway | Noise From the Dark. Light Breath | 2-3 |
Apple, Jacki and Hixson, Lin | Conversations on Performance | 2-3 |
Greer, Bonnie | Vigil Part II | 4-7 |
Gray, Liebe | The Whale Concerts | 7 |
Skura, Stephanie | Interview with Meredith Monk | 8-11 |
Sickle, Kenneth Van | 16 Millimeter Earings [film] | 9 |
Jardine, Paula | Public Dreams | 12 |
Jardine, Paula | A Parade for Spring | 12 |
Klett, Renate | In Rehearsal with Pina Bausch | 13-16 |
Weiss, Ulli | Meryl Tankard in Pina Bausch's Kontakthof | 13 |
Weiss, Ulli | Jo-Ann Endicott in Pina Bausch's Kontakthof | 14-15 |
Raulerson, Clare | Script for a Woman in Prison Performance | 17-21 |
Hugil, Tannis | Who Are You? | 18 |
Cizmar, Paula | Death of a Miner | 20 |
Gazzo, Monica | Artemesia Study #1 | 21 |
Oji, Helen | "Vesuvius," Volcano Series #28 | 21 |
Lacy, Suzanne and Lippard, Lucy R. | Political Performance Art: a discussion by� | 22-27 |
The Waitresses | The Waitress Guide to Food Protection In The Event of a Nuclear Attack | 24 |
McAdams, Dona Ann | They're Juggling Our Genes! | 25 |
Randall, Margaret | Xipaltomal | 26 |
Percal, Susan | Invisible Performance Workshop | 27 |
Various | All Work, All Play, Who Pays? | 28, 44-46, 66-67 |
Oleszko, Pat | The Soiree of O | 29, 30 |
Griffith, Lois Elaine | Sidelights | 29-30 |
Wagner, Mary | Donna from "Live Show" | 31-33 |
Gutierrez, Marina | T.V. | 33 |
Carr, Cindy; Champagne, Lenora; Jones, Patricia | Women in Research | 34-41 |
Schneemann, Carolee | Fresh Blood--A Dream Morphology | 36-37 |
Hartinian, Linda | Refrigerator Madness (Not the Movie) (Not About Drugs) | 41 |
Covan, Ellie | Out/In The World | 42 |
Hagedorn, Jessica | Crayon Bondage | 43 |
At the Foot of the Mountain | Ashes, Ashes, We All Fall Down | 47 |
Lowe, Bia | Theater as Community Ritual: An Interview with Terry Wolverton | 48-49 |
Tsui, Kitty | Lilith and the Hired Help | 50-51 |
Edelson, Mary Beth | To Dance: With Performance in Mind | 50-51 |
Swanson, Lynn | Devil's Dream | 52 |
Montano, Linda | Make Art of Your Daily Life | 53 |
Lapides, Beth | Having Fun in the Dark | 53 |
The Women's Experimental Theater | The Daughters Cycle | 54-58 |
Chin, Daryl (Panel Organized by) | The Future of Illsusionism | 59-62 |
Skura, Stephanie | Some Kind of Dance | 63-65 |
Ran, Faye | The Blue Period of the Neo-Expressionist Post Avant-Garde | 67 |
Allen, Barbara and Clements, Carol | Barbie N' Barbie | 68 |
Epstein, Robin and Cantwell, Dorothy | Junk Love | 68 |
Keller, Madeline and Ziff, Janet | "Money Apron" from The Fine Art of Waitressing | 69 |
from Hard To Swallow | 69 | |
Marchessault, Jovette | Saga of the Wet Hens | 70-71 |
Green, Vanalyne | Trick or Drink | 72 |
Allen, Mariette Pathy | Judith Ren-Lay as "Ivy Mouse" | 73 |
Clarke, C.; Clarke, B.; Hardwick, G.; Powell, L. | Narratives: A Dramatic Event | 74-77 |
Clarke, Cheryl | Hair: A Narrative | 76 |
Henry, Janet Olivia | Ritual (Detail #1) | 77 |
Henry, Janet Olivia | Ritual (Detail #2) | 77 |
Harlot, Scarlot | The Continuing Saga of Scarlot Harlot | 78 |
Fritz, Joannie | Harpies Complex | 79 |
Allen, Jacqueline | Nudes in Repose | 80-82 |
Coss, Clare | On Jane Chambers: An Interview with Beth Allen and Jere Jacob | 83-84 |
Rusz, Jan | Split Britches, A NY Theater Company with Fire in their Pockets | 85 |
Hahn, Kimiko | Dance Instructions for a Young Girl | 86 |
Cummings, Bondell | Chicken Soup | 86 |
Keshishian, Hrut | Kudiyattam: An Ancient Acting Tradition for Women | 87-88 |
Hammond, Harmony (Compiled by:) | Hearing and Seeing: Linda Mussman and Ann Wilson on creating Nonnarrative Theater | 89-93 |
(ADVERTS) | 94-95 | |
(SUBSCRPTION) | 96 | |
(UPCOMING ISSUES) | 97 |
Heresies Article Index Double Issue #18 - Mothers, Mags and Movie Stars - Feminism and Class
Artist/Author | Title | Page(s) |
(EDITORIAL STATEMENT) | 3 | |
Sun, Carol | In My Hands | 4-5 |
Stein, Sally | The Graphic Ordering of Desire | 6-16 |
Hartinian, Linda | Tango Fatale | 17 |
Hunter, Alexis | Sorry I find it So Difficult to Write | 18-19 |
Texier, Catherine | Nancine, Lili & Chloe | 20-21 |
Ringgold, Faith | Who's Afraid of Aunt Jemima? Quilt and Book | 22-23 |
Kenny, Kay (Interviews edited by:) | Plain Talk | 24-27 |
Reynaud, Berenice | Not a Nice Jewish Girl: The Return of the Repressed | 28-35 |
Lindeman, Nicky | NOT A NICE JEWISH GIRL | 28-35 |
Moran, Mary (prepared by:) | Messages from the Catholic Church | 36-37 |
Simon, Leslie | Me and the TV Stars | 38 |
Jones, Patricia | Mammies | 39 |
De Sando, Sandra and Demarest, Sharon | Motherlove | 40-41 |
Gaines, Jane | War, Women, and Lipstick: Fan Mags in the Forties | 42-47 |
Singer, Victoria | My Mother's Body | 48 |
Lucas, Bonnie | WORLD'S GREATEST MOM | 48 |
Raymund, Joan | From A Series of Delightful Hate Poems | 49 |
Lucas, Bonnie | #1 DAUGHTER | 49 |
Pitrone, Anne | Woman in a Sawmill, 1966 | 50-51 |
Gilbert, Sharon | ETYMOGRAPHY | 51 |
McGee, Micki | Her Intestinal Bypass Surgery | 52-53 |
Anglesey, Zoe | Portrait from Totonicapan | 54 |
Randall, Margaret | March 6, 1982 | 55 |
McKay, Colleen | Matagalpa, Nicaraugua | 55 |
Jackson-Opoku, Sandra Joy | One Mother of a Mountain | 56-63 |
Rosmarin, Cari | PLEISTOCENE | 58 |
Oji, Helen | Spirit Lake #1 | 60 |
Oji, Helen | Spirit Lake #2 | 62 |
Castillo, Anna | Of My Mother's Mother's Mother | 63 |
Carvalho, Josely | Story of Elza | 64-65 |
Rappaport, Sonya | Objects on My Dresser | 66 |
Godlesky, Stacy | From the BARBIE CALENDER | 67 |
Champagne, Leonora | Manna | 68-72 |
Moore, Sabra | Artifact, Commerce, Texas | 73 |
Eshe, Aisha | Terror Tales | 74 |
Gregory, Carole | Wild Beauties | 75-76 |
Godwin, Michele | Monotype | 75 |
Podolsky-Kramer, Louise | My Mother, Anna Podolsky | 76-77 |
Valverde, Mariana | The Class Struggles of the Cosmo Girl and the Ms. Woman | 78-82 |
Lopez, Adelaida | La Secretaria (The Secretary) | 83 |
Goodfriend, Penelope | Don't Fall in Love With a Dreamer | 84-85 |
Osborn, Barbara | Eureka! | 86 |
Hughes, Lyn | Mobility: A Game of Chance and Ambition | 87 |
Wolverton, Terry and Stolsen, Vicki | Ya' Got Class, REAL CLASS | 88-93 |
Opton, Suzanne | Four Women, Vermont | 94 |
Levine-Keating, Helane | My Mother as a Tired Woman | 95 |
Applebroog, Ida | I Can't | 96-97 |
Heresies Article Index Issue #19 - Satire
Artist/Author | Title | Page(s) |
(EDITORIAL STATEMENT) | Inside Cover | |
Lounder, Barbara | Too Much Armour, Too Little Brains | 1 |
Weintraub, Bernadette | Male Sexual Curbs Endorsed | 2, 3 |
D.D. Research Associates | Continuity of People Program | 3, 4-5 |
Cholesterol, Virginia | On The Picket-Reception Line | 6-7 |
Wilson, Marth | Nancy Reagan at the Inauguration | 7 |
LADIES AGAINST WOMEN | Petition to Protect the Unconceived | 8 |
Clausen, Jen | "Letters to the Editor" | 9 |
Bulbul | (Cartoon) | 9 |
Shinell, Grace | Lost Atlantis Discovered | 10 |
Snider, Jenny | Art World Treasure Dead at 96 | 11 |
Zana | "Daily Horoscope:" Look to the Stars | 12 |
Mcgilly, Birk | (Cartoon) | 12 |
Abrams, Joni | Best Bets: New Fall TV Shows | 13 |
Sherwood, Katherine | TV Table Assemblage | 13 |
Cuyler, Susanna | Mimi Sheraton's Food Times | 13 |
Stevkno, Barbara | (Photo-Collage) | 13 |
Abrams, Joni | Looks at Books | 14 |
Ruda, Lesley | (Cartoon) | 14 |
Kruger, Barbara | Fashions | 14 |
Gleeson, Day | (Photo-Collage) | 14 |
Lydbrooke, Marian | (Cartoons) | 15 |
Mcgilly, Birk | (Cartoon) | 16 |
Schein, Lorraine | Poem | 16 |
Solomon, Debra | (Cartoon) | 16 |
Solomon, Debra | (Cartoon) | 17 |
Schein, Lorraine | T.V. Glide (and) Poem | 17 |
Lesniak, Rose | (Poem) | 17 |
Gallagher, Dawna | (Cartoons) | 18 |
Gallagher, Dawna | (Cartoons) | 19 |
Stevko, Barbara | (Collage) | 20 |
Ciurej, B.; and Lochman, L. | 20 | |
Cuyler, Susanna | AmerCraft Magazine | 21 |
Imhoff, Rosemarie | (Collage) | 21 |
Ruda, Lesley | (Cartoon) | 22 |
Kordon, Renate | (Cartoon) | 22 |
Small, Deborah | Bikini | 23-25 |
Stevko, Barbara | 23 | |
Kordon, Renate | (Cartoon) | 24 |
Tompkins, Betty | (Collage) | 24 |
Moore, Claire | (Cartoon) | 25 |
Allyn, Jersey | Love Novellas | 26 |
Wilson, Martha | The Redneck Song | 27 |
Anonymous | What's Wrong With This Picture | 28 |
Amos, Emma | "Opportunities" | 29 |
Guerilla Girls | (Poster) | 30 |
Kordon, Renate | (Cartoon) | 31 |
(CONTENTS) | 31 |
Heresies Article Index Issue #20 - Activists/ Organizers/ Progressives Heroines/ Visionaries/ Witnesses/ Pacifists/ Sisters/ Companeras/Agitators/ Radicals/ Leftwingers/ Dissidents/ Firebrands/ Revolutionaries/ Subversives/ Provocateurs/ Yellow-bellies/ Bleeding Hearts/ Big Mouths/ Bra Burners/ Castrating Bitches/ Commie Sluts/ Pinko Dykes
Artist/Author | Title | Page(s) |
(EDITORIAL STATEMENT) | 2-3 | |
Hicks, Margaret K. | Central America, Will the Real Culprit Please Stand Up | 2, 3 |
Question 1: What Led to Your Activism | 4-5 | |
McDaniel, Judith | One Summer at Seneca� | 6-10 |
Reed, Kristin | La Muerte Se Confundira Con Tus Suenos | 6-7 |
Rupp, Christy | Gas Orphans | 8 |
Willmarth, Susan | Untitled | 10 |
Kingslover, Barbara | Our Father Who Drowns the Birds | 11 |
Lippard, Lucy R. | First Strike for Peace | 12-15 |
Spero, Nancy | Clown and Gunship | 13 |
Pinkel, Sheila | Nuclear Power | 14 |
Sisters of Survival | Something is Clouding Your Future | 15 |
Question 2: How Have Your Political Ideas Evolved? | 16-17 | |
Silver, Shelly | If We Could See You | 18 |
Harmon, Joan | The New York Eight | 19-21 |
Michals, Robin | Assessing the Facts: Bhopal | 21 |
McCabe, Carole | Direct Action Against Sexism in Advertising | 22-23 |
Goodfriend, Penelope | from Role Models and Realities | 23 |
Nazario, Gloria | Doan Ket Dance Collective | 24-27 |
Question 3: What Books and/or Traditions have influenced you? Who are your role models? | 28 | |
Christensen, Elain | Speak Up: Jabberwocky | 29 |
Sligh, Clarissa T. | Untitled | 30 |
Coss, Clare | Lillian Wald: At Home on Henry Street | 31-37 |
Drury, Sarah | Following Her Death | 33-36 |
Question 4: Has Your Attitude Changed Towards Nonactivists? | 38 | |
The Train-ed Poets | Reliable Sources | 39-40 |
Fritz, Joanie | Speak Up: Feminist Tax Resistance | 41 |
Cook, Blanche Weisen | Sisters in Support of Sisters in South Africa | 42-45 |
Williamson, Sue | Caroline Motsoaledi | 43 |
Kuo, Nina | No Two Are Alike | 44 |
Ortega, Susan | Art Against Apartheid | 45-46 |
Chunn, Nancy | Africa | 45 |
Rumm, Ellen | Natural Hazards (from Susanna and the Elders) | 47 |
Guerrilla Girls | (Poster) | 48 |
Question 5: Whan Have You Been Most Effective | 49 | |
Grove, Kathy | Hindsight (and detail) | 50 |
Donahue, Bonnie and Wada, Werner | Belfast Control Zone: An Interview with Suzanne Bunting | 51-53 |
Black Sandino | 54 | |
LaDuke, Betty | June Beer's Story | 54-57 |
Question 6: What are your greates pleasures in activism? What is your criteria for Success? | 58 | |
Rosler, Martha | Optimism/Pessimism Constructing a Life | 59 |
Jacobson, Carol | Peace by Piece | 60-64 |
Kirk, Gwyn | Women's Peace Camps and Resources | 64-65 |
Garton, Victoria | Skulls in Neat Rows | 65 |
Dixon, Jenny | A Politic to Public Art | 66-67 |
Ballard, Jan | White Standard | 67 |
Question 7: What Particular frustrations have you experienced in your politica activities and how have you dealth with them? Have you experienced burnout? What brought you back? | 68-69 | |
Woolhandler, Susan | Speak Up: Interviews: Stephanie Woolhandler and Flo Kennedy | 70 |
Costa, Marithelma | Guatemala/Ravena | 71 |
Linhares, Judith | Limbo Zombies | 71 |
Cook, Blanche Weisen | An Interview with Kathy Goldman: In the Midst of Plenty | 72-77 |
Rivera, Sophie | Bag Woman/Subway | 72 |
Smith, Mimi | Don't Turn Back | 74-75 |
Rothenberg, Erika | Citizens Relax | 76 |
Pindell, Howardena | The American Way | 77 |
Ryan, Cara Gendel | Intellectuals and Political Action | 78-80 |
Holzer, Jenny | from The Survival Series | 78-80 |
O'Harra, Melanie | Speak Up: Fighting Gentrification | 81 |
Question 8: What misunderstandings or cross-purposes have arisen in your group due to racial, sexual, class, religious, or age differences? | 82-83 | |
Metz, Holly | An Interview by Holly Metz: Anonymous Witness | 84-85 |
Slepack, Donna Grund | The Shadow Project | 86-89 |
Reyes, Kathleen M. | 86 | |
Lommosson, Jim | 88 | |
Malagrino, Silvia | Bomb Victim #17 | 89 |
Doubiago, Sharon | Ground Zero | 90-93 |
Silverthorne, Jeanne | TOO | 92 |
Question 9: What do you find ironic in the everyday contradictions of activism? | 94-95 |
Heresies Article Index Issue #21 - Food is a Feminist Issue
Artist/Author | Title | Page(s) |
(EDITORIAL) | 1 | |
(UPCOMING ISSUES) | 2 | |
Heresies 21 Collective | Food For Thought | 3 |
Kreloff, Bea | Growing Up Fat in America | 4-6 |
Edelheit, Martha | A.B. Cockless Talkbook(Cock Au Vin) | 7 |
Craft, Nikki | Here She Comes, Myth California | 8-9 |
Brown, Kathie | Being Women, Eat Crumbs: Thinking About Food Prohibitions | 10-15 |
Halvorsen, Nancy | Untitled Drawing(Your Hunger is My Starvation) | 13 |
Rosenberg, Shoshana | (Cartoon) | 14 |
Bunch, Charlotte | The Commercial Kitchens of Peru | 16 |
Moran, Mary | La Quebradita | 17 |
Kuo, Nina | 17 | |
Kulas, Elizabeth | The Farm | 18-22 |
Kendall, Michael | An Only Pleasure | 23 |
Amos, Emma | 23 | |
Ribner, Susan | Queen Kaahumanu | 24-25 |
Goodman, Melinda | Bullets | 26 |
Kuo, Nina | Untitled Photograph | 27 |
Reinke, Mari Ketes | Toilet Brag | 27 |
Thomas, Susan | Formerly Fat | 28-34 |
Kenny, Kay | Personal Growth | 30-33 |
Beens, Olivia | for The Fit and Flab Diaries | 34 |
Chernow, Ann | D*R*I*N*K | 34 |
Segal, Sandra | Excerpts by Sandra Segal from: Woman's Body & Other Natural Resources | 35-38 |
Gussow, Joan Dye | The Fragmentation of Need: Women, Food, & Marketing | 39-43 |
Redman, Helen | Home Ecchh | 40 |
Sins, Kathryn | Everyone Loves Grandma's Sugar Cookies | 41 |
Rosenberg, Shoshana | (Cartoon) | 43 |
Savitski, Annette M. | Pie Crust Failure | 44 |
Borger, Irene | I Want To Make Breakfast For You | 45 |
Newman, Leslea | Appetites | 46-47 |
Hirsch, Gilah | Miracle of the Peaches | 47 |
Allyn, Jerri | NAME THAT DAME: Who Are These Famous Food Women? | 48-49 |
Kricorian, Nancy | Tuna | 50 |
Falck, Iris | Maya and the Crabs | 50 |
Adams, Carol | The Sexual Politics of Meat | 51-55 |
Tower, Cindy | Meat Eater with Cupid | 53 |
Tower, Cindy | Beef Eater | 53 |
Goodfriend, Penelope | 54 | |
Gore-Fuss, Kathy | Conundrum | 55 |
Walsh, Alida | The Pound of Flesh Project | 56 |
De Sando, Sandra | Because of You, There's a Song in My Heart | 57 |
De Sando, Sandra | The Goddess Baubo | 57 |
Brown, Linda Leslie | Clean Plate Club | 58 |
Giannino, Joanne | The Menu For Love | 58-59 |
Siegal, Suzanne (aka Mary Godley) | Holy Family Holidays: Perfect Bar-b-que | 60 |
Siegal, Suzanne (aka Mary Godley) | Holy Family Holidays: Heavenly Birthday | 60 |
Siegal, Suzanne (aka Mary Godley) | Our Lady of Constant Calorie Coutning | 61 |
Stinson, Susan | The Most Ordinary Moment | 61 |
Stinson, Susan | Pet | 61 |
Siegal, Suzanne (aka Mary Godley) | Our Lady of Heavenly Coffee | 61 |
Sullivan, Nancy | The Oldest Accusation: Notes on My Collage | 62-63 |
Sullivan, Nancy | Woman Eats Man | 63 |
Eshe, Aisha | Poems by Aisha Eshe | 64-65 |
Swaan, Sylvia de | 64 | |
Dorf, Carol | DON'T TOUCH IT'S hot | 66 |
Nelson, Marjory | Monsters | 67-69 |
Layton, Elizabeth | Grandma's Thanksgiving | 69 |
Levine-Keating, Helane | In The Kitchen | 70 |
Fritz, Joanie | Soph's Despair Over Too Much Spice | 71 |
Hone, Kim | Mas Sopa | 71 |
Anno, Kim | Soup Spill | 71 |
Anno, Kim | Pteryptus | 71 |
Sapphire | Something About the Politics of Size | 72-73 |
Cooperider, Carrie | (Drawing) | 72 |
Cooperider, Carrie | (Drawing) | 73 |
Fabricant, Gwen | Around the Fish | 74 |
Gritz, Ona | For My Mother | 74 |
Hochstein, Rolaine | Why I Overeat | 75 |
Taylor, Elyse | Mmmm Good | 75 |
Rothenberg, Erica | Inspirational Vegetables & Morally Superior Products | 76-77 |
Rothenberg, Erica | Inspirational Vegetables | 76 |
Rothenberg, Erica | Born-Again Chicken | 77 |
Rothenberg, Erica | Equal Opportunity Sauce | 77 |
Sligh, Clarissa | Nuclear Food | 78-79 |
Sligh, Clarissa | Nuclear Food | 79 |
Ferrero, Pat | Corn Is Our Mother: The Hopi's Spiritual Connection to their staple | 80-85 |
Black, Mary E. | Women's Special Relation to Corn | 81 |
Various | The Women Who Feed the World: Village Women and Third World Politics | 86-90 |
KB for the Heresies 21 Collective | The Women Who Feed the World: Village Women and Third World Politics | 86 |
Nyoni, Sithembiso | Africa's Food Crisis: Proce of Ignoring Village Women? | 86-87 |
Merenah, Comba | The Gambian Woman's Burden | 87, 88 |
Advocate For Women | 87 | |
Working at Development | 88-89 | |
A Jakarta Household | 89 | |
Thinking Points | 90 | |
Community Wide Project Changes Women's Lives | 90 | |
Goldson, Annie | Food Fight | 91 |
Bunch, Charlotte | Food- Politics- Power: A Feminist Perspective | 92-94 |
An Arpillera from Chile | 93 | |
(ADVERTS) | 95-96 |
Heresies Article Index Issue #22 - Art in Unestablished Channels
Artist/Author | Title | Page(s) |
Heresies Issue 22 Collective | (EDITORIAL STATEMENT) | 1 |
Whitaker, Corinne | from The Anarchistic Eye | 1 |
Hertz, Betti-Sue | Looking Into Community Arts | 2-5 |
Kenojuak | Sea Gull with Sea Spirit | 2 |
Edwards, Clarine | Family Gathering at Christmas Time | 3 |
Michals, Robin | Dona Carmen stands before the alter in her garden | 5 |
Hoenig, Susan | Kea Tawana's Ark of Newark | 6-7 |
The Docklands Community Poster Project | The Docklands Community Poster Project | 8 |
Shermna, Deborah | The Paris Project and the Art of Lesbian Relationships | 9-13 |
Ryan, Sheila | 10 | |
Ryan, Sheila | 11 | |
Ryan, Sheila | 12 | |
Raeburn, Roberta | 13 | |
Hirshorn, Harriet A. | Interview with Trinh T. Minh-ha | 14-17 |
Weinbaum, Batya | Music, Dance, and Song: Women's Cultural Resistance in Making Their Own Music | 18-21 |
Posner, Jill | from Spray it Loud and Louder than Words | 22 |
Xiong, Mia | Story Cloth, 1985 | 23 |
Sasha, Karen | Community and the Allowance of Difference | 24-25 |
Daboll, Susan | 24 | |
Heindl, Chris | The Importance of Being Visionary | 26-28 |
Moore, Sabra and Carvalho, Josely | Connections Project/Conexus: A Sampling | 29 |
Seizer, Susan | The Women's Circus Trip to Nicaragua | 30-32 |
Agosin, Marjorie | Arpilleras of Chile: Using Art as a Teaching Tool | 33 |
Sullivan, Mary Jane | Irish Women: A Daily Struggle | 34-37 |
Lieft, Linda | The Postcard Project: An Interview with Performance Artist Cheri Gaulke | 38-40 |
Goldbard, Arlene and Adams, Don | Tough Times | 41-44 |
Crimmins, Pamela and Leopold, Susan | Young Artists' Painting Workshop Mural | 42 |
Cartier, Marie | At the Pow Wow | 45 |
Gregg, Margaret | Bumpass Cove Tapestry (Photo of:) | 45 |
Feigenbaum, Harriet | Reclamation Art | 46-48 |
Howells, Pegi Ballister | The Urban Gardner | 48-49 |
Hoenig, Susan | Garden Sculpture | 50 |
Moskowitz, Carolyn | Temple of the Vestigial Virgins | 51-53 |
Baskin, Fran | Crystal Talking | 54-55 |
Kamins, Jeanne | The Gracie Challenge | 56-57 |
Kiddle, Catherine | Pictures of Ourselves | 58-60 |
Wong, Carmen | Strange Dread | 61 |
Byron, Judy | from series "Groups" | 61 |
Stricker, Sharon | First We Create the Nightmare-- Then We Build the Prison | 62-67 |
Moore, Marcia | Daughter Speaking | 63 |
Stricker, Sharon | Will the Real Criminal Please Stand Up? | 64 |
Ross, Norma Jean | My New Daddy | 64-65 |
Stricker, Sharon | The Fire Inside | 66 |
Lyons, Ruth Ava | from "Urban Vision" Project | 67 |
Princenthal, Nancy | Synthesizing: Art, Nature, and Technology | 68-71 |
Conde, Carol | From: Working Ties | 72 |
Langerman, Deborah | On Cultural Democracy | 73-74 |
Jacobsen, Carol | Rehearsals | 74-75 |
Katz, Carla | Photos of Women at Livingston College | 76-77 |
Schulman, Sarah | After Delores | 78-79 |
Disend, Nadya | A Slower Step | 80 |
Doukas, Thalia | About Windows on Whie | 81-83 |
Doukas, Thalia | Imagine You Can Dance | 81 |
Lent, Michael | She's Her Own Walkman | 82 |
Nolan, Janet | Fence | 83 |
Drury, Sarah and Prown, Lise | The Mural | 84-85 |
Newmarch, Ann | The Stobie Pole | 86-87 |
Maksymowicz, Virginia | Making Activist Art | 88-89 |
(Billboard Design) | 89 | |
Beers, Debra | Untitled Sculpture | 90 |
Jenik, Adriene and Wallner, Martha | Bird(s) Watching | 91-93 |
Johanson, Patricia | Civic Minded Landscaping | 94-95 |
(UPCOMING ISSUES) | 96 | |
(ADVERTS) | 97 |
Heresies Article Index Issue #23 - Coming of Age
Artist/Author | Title | Page(s) |
(TABLE OF CONTENTS) | 1 | |
(EDITORIALS) | 2-3 | |
Tacha, Athena | Reaching 50 (The Process of Aging II) | 4-6 |
Noguere, Suzanne | Extremeities | 7 |
Falardeau, Mira | Untitled (Cartoon) | 7 |
Nicholson, Joan | Rented Rooms | 8-9 |
Moiseiwitsch, Carel | Change of Address | 8 |
Nemec, Vernita | Installation and Set for the Performance "Private Places" | 9 |
Stevens, May | Gentle Events | 10-11 |
Stevens, May | Fore River | 10-11 |
Lippard, Lucy R. and Mizenko, Mary | "Right Now is Always the Best Age | 12-18 |
Randolph, Lyn | Me Waxing | 13 |
Layton, Elizabeth | Self-Portrait as Nike--Winged Victory | 15 |
Gilman, Esther | The Graduation | 16-17 |
Rousseau, Ann Marie | Life's Everyday Transformations | 19 |
Eshe, Aisha | Momma's Death | 20 |
Eshe, Aisha | Lost Childhood | 20 |
Fuller, Mary | Fear Sucks | 21 |
Meredith, Ann | You, Me, and Willa | 21 |
Ryden, Wendy Ann | When Eva Boa Went Crazy | 22-24 |
Wilke, Hannah | So Help Me Hannah Series: Portrait of the Artist with Her Mother | 25 |
Ferraro, Mary | Living With Lupus | 26-27 |
Stone, Carole | Mykonos | 28 |
Chase, Doris | Geraldine Page in the film "Table for One" | 28 |
Broner, E. M. | Whispering | 29-30 |
Koelsch, Patrice | The Crystal Quilt | 31 |
Rice, Nancy Hall and Thacher, Ann | Where's Mother? | 32-33 |
Jahoda, Susan Eve | From: Family Series #2 | 32 |
Jahoda, Susan Eve | From: Family Series #16 | 33 |
Rice, Nancy Hall and Thacher, Ann | Seasons of Mist | 34-36 |
Bodnar-Balahutrak, Lydia | They're Leaving Him Behind | 35 |
Palmisciano, Anne Marie | Death of an Old Crone | 37 |
Olds, Sharon | After Death | 38 |
Chase, Claudia Anne | Elena Was Born | 39 |
Savitski, Annette | Baby Contest | 38-39 |
Moore, Sabra talking to Lang, Avis | Before Roe v. Wade: Working at New York's First Legal Abortion Clinic | 40-48 |
Crowe, Susan Spencer | No Longer Afraid | 40 |
Holup, Wopo | Metamorphisis | 42-47 |
Sins, Katheryn | The Theater of Life From Behind New York Walls | 49 |
Blevins, Tone | Michaelangelo Sky | 50-52 |
Rousseau, Ann Marie | Yaro, Aged 10, Just After Her Bath� | 50 |
Shange, Ntozake | It's Not So Good To Be Born a Girl/ Sometimes | 53 |
Schneemann, Carolee | "Dirty Pictures" | 54-55 |
Calbral, Olga | The Forest of Wild Grass | 56 |
Goodfriend, Pennelope | Mother and Daughter | 57 |
Mayer, Rosemary | Some of My Stories | 58-60 |
Lang, Cay | Private Parties | 59 |
O'Neill, Jennifer Jean | Sock Relations | 61 |
Jones, Bettie | The Empty Nest Syndrome (or Sing a Song of Solitude) | 61 |
Livingston, Carole Rose | 45 in the Washroom Mirror | 61 |
Wainer, Nora R. | The Jewish-American Princess | 62-66 |
Hughes, Lyn | Untitled | 64, 65 |
Rovere, Vicki | Old Ladies | 67 |
Wachtel, Eleanor | Coming of Age: Words Where it Counts | 68-69 |
Wilding, Faith | Meeting Gran | 70-72 |
Scherer, Deidre | Freida | 70 |
Aylon, Helene | On Common Ground | 73-75 |
Aylon, Helene | From Israel to Hiroshima | 74-75 |
Griffith, Lois | Acceptable In Your Sight | 76-77 |
Rosenthal, Rachel | Genesis | 78 |
Brandt, Helene | Headless Woman | 78 |
Alvarez, Julia | Pink Clay | 79-82 |
McNall, Sally Allen | Roads | 80 |
Smith, Cynthia | Mirror Image | 81 |
Smith, Cynthia | Terms of Entrapment | 82 |
Singer, Kate | Blood and Milk | 83 |
Meneses, Maria Lourdes | As The Process Advances: WOMEN Emerginf Within a Revolutionary Society | 84-86 |
Moiseiwitsch, Carel | Wonder Calavera After Posada | 84 |
Holt, Norma | Revolution | 86 |
Duberstein, Helen | Olive, Distressed | 87-89 |
Lukanuski, Mary | Wine For Lunch | 90 |
Friedman, Barbara | Big Secrets | 91-93 |
Glantzman, Judy | Untitled | 92 |
Glantzman, Judy | Untitled | 93 |
Acting Our Age | 94-95 | |
(ADVERTS) | 96 | |
(UPCOMING ISSUES) | 97 |
Heresies Article Index Issue #25 - The Art of Education
Artist/Author | Title | Page(s) |
EDITORIAL COLLECTIVE: Ammos, Emma; Brown, Kathie; Carvalho, Josely; Goodfriend, Pennelope; Hess, Elizabeth; Lang, Avis; Lippard, Lucy R.; Michals, Robin; Moore, Sabra; and Wildding, Faith | COLLECTIVE STATEMENT | 3 |
Sligh, Clarissa T. | Kindergarten Class--Graduation 1970 | 4 |
Shapiro, Alice | The Art of Education | 5 |
Vicario, Janet | Blind History | 6 |
Schor, Mira | On Failure and Anonymity | 7-9 |
Brodsky, Judith K. | Why do they crave the experience? | 8 |
Wells, Nancy | The Spinning of the Top | 9 |
Racette, E.A. | Untitled | 10 |
Evans, Donna | The Wonderful Pig of Knowledge | 10 |
Malloy, Judy | No Potato Chips | 11 |
Herbst, Nikki | Fifth Grade | 12 |
Cohen, Lynne | Classroom, n.d. | 12-13 |
Potash, Cricket | Seize the Time | 14-16 |
Sternbach, Joni | From the Cameoseries | 14 |
Cartier, Marie | A Manual for Survival | 17 |
Willis, Deborah | Elementary School Class in the Gaza Strip | 17 |
Meryl Meisler and the Drop Ins from I.S. 291 | Country Window and Broken Window | 18 |
Owens, Lakisha | Windows | 18 |
Meryl Meisler and the Drop Ins from I.S. 291 | Question Marks | 19 |
Strikker, Carolien | Dress | 20 |
Eshe, Aisha | Sewing Class | 20 |
Strikker, Carolien | Father and General | 21 |
Draper, Gail | Children's Lives as Curriculum | 21-26 |
Strikker, Carolien | Brother and Sister | 22 |
Strikker, Carolien | White Dress I | 23 |
Strikker, Carolien | Statue Pointing | 24 |
Strikker, Carolien | Mother and Child | 25 |
Strikker, Carolien | White Dress II | 26 |
Pierce, Jill | I'm Tired of Being Angry | 27 |
Pontius, Diane | Love Story | 28 |
Sligh, Clarissa T. | Kids Playing at the Gramercy Boys' Club | 29 |
Sligh, Clarissa T. | On Being An American Black Student | 29-33 |
Sligh, Clarissa T. | Kids Playing at the Gramercy Boys' Club | 31 |
Reed, Kristin | Predominant Ideology | 32 |
Arai, Tomie | Chinatown | 33 |
Laque, Carol Feiser | Welcome to You See | 34 |
Wye, Pamela | Learn to Earn | 35 |
Weinbaum, Batya | Dear Professor Vile | 36-37 |
Sojournjer, Mary | What They Write About in Other Countries | 38-48 |
Wells, Nancy | The Offering | 38 |
Wells, Nancy | I Met a Man Who Knows He Knows | 40-43 |
Wells, Nancy | The Beginning of an Extraordinary Friendship | 47 |
Culbertson, Janet | Untitled I | 49 |
Haley, Heather Susan | The Brat from Beverly Hills | 49 |
Sternbach, Joni | Untitled | 49 |
Santos, Judite Dos | Signs/Signals | 49 |
Aotani, Dawn | Bone By Bone | 50-52 |
Arai, Tomie | Women's Wheel | 51 |
Patsi, Sara | Tracy | 53 |
Lippard, Lucy R. | Women, Art, and Cross-Cultural Issues | 53 |
Bass, Ruth and Cummins, Marsha | Aesthetic Questions | 53-54 |
Grudin, Eva | African America: Images, Ideas, and Realities | 54-56 |
Rivera, Sophie/LNS | New York City School System | 55 |
Sternbach, Joni | Untitled | 56 |
St. John, Barbara A. | Excellent Teacher | 57 |
Rosenberg, Harold | (Quote) | 58 |
Wilke, Hannah | From So Help Me Hannah | 58-59 |
Garton, Victoria | An Open-Trench-Coat Poem for Dirty Boys | 60 |
Zempel, Jerilea | Other Nature | 60 |
Shoemaker, Pamela | Rap Sheet | 61 |
Tuggle, Denise | People of Color at White Elitist Colleges | 62-65 |
Stikker, Carolien | They Lied | 63 |
Sivilli, Valerie | Brainhouse | 66 |
Pinkel, Sheila | Toward a Synthetic Art Education | 66-67 |
Patsi, Sara | The Library | 68 |
Burstein, Karen J. | The Reception: On Learning and Criticism | 68-72 |
Clements, Carol and Company | From A Timely Existence | 72 |
Edington, Amy | Critics | 73 |
Amos, Emma | Beating The Odds | 74 |
Spero, Nancy | Socrates (detail) | 75 |
Kane, Leigh and Pontius, Diane | The Interview: | 76-77 |
Yassky, Brahna | Classroom #3 | 78 |
Vigier, Rachel | Educating The Body | 78-79 |
Yassky, Brahna | Classroom #4 | 79 |
Shapiro, Joan Herbst | Learning to Play | 80-82 |
Bowens, Kabuya P. | The Final Call | 82 |
Konek, Carol Wolfe | Dangerous Discussions | 83-86 |
Stavitsky, Alex | Dominican Republic | 84 |
Stavitsky, Alex | Domincan Republic (2) | 84 |
Clarke, Catherine | Untitled | 86 |
Anonymous; Hamilton, C.C.; St. John, Barbara A. | Letters to the Editor | 87-88 |
McCorkle, Sallie | Fences | 89 |
Herbert, Martha Reed | Staying Horrified | 90-94 |
Cohen, Lynne | Classroom | 91 |
Racette, E.A. | Behive | 92 |
Sternbach, Joni | Untitled | 94 |
ADVERTS | 95 | |
Millett, Kate | Madhouse Madhouse | 96 |
Claire Moore | The Secret | 97 (inside back cover) |
Heresies Article Index Issue #26 - A Journal of Feminist Post-Totalitarian Criticism
Artist/Author | Title | Page(s) |
(Table of Contents) | 2-3 | |
From the Russian Editors of IdiomA | 4 | |
Efimova, Alla | The Story of IdiomA | 4-5 |
Dixon, Tennessee Rice; Isaak, Jo Anna; Lang, Avis; Pasti, Sara | From the U.S. Editors of Heresies | 6-7 |
Isaak, Jo Anna | Reflections of Resistance: Women Artists on Both Sides of the Mir | 8-37 |
Nesterova, Natalya | Park | 10 |
Goncharova, Natalya | Planting Potatoes | 13 |
Popova, Liubov | work uniform designs for actors at the Free Studio | 14 |
Stepanova, Varvara | costume designs for the death of Tarelkin | 14 |
Lebedeva, Sarra | Portrait of the General Secretary of the Communist Party, Felix Dzerzhinsky | 15 |
Mukhina, Vera | Worker and Collective Farmworker | 15 |
Khikova, Ekaterina | Women's Classes at the St. Petersburg Drawing School for Auditors | 16 |
Collective | Model Study in the Studio of Ilya Repin at the Academy of Arts | 16 |
Skulme, Dzemma | The Near and the Far | 17 |
Starzenyetskaya, Irina | Entrance to Jerusalem | 17 |
Starzenyetskaya, Tamara | set design for Queen of Spades | 17 |
Zatulovskaya, Irina | Woman Reading | 18 |
Shaping--It's the Style of Life for the Contemporary Woman | 19 | |
Samokhvalov, Aleksandr | After Running | 20 |
Nazarenko, Tatyana | Circus Girl | 20 |
Nazarenko, Tatyana | Women Construction Workers at the Moldavin Hydro Power Station | 21 |
Tumova, Natalya | Portaits of Civil War Heroes and Contemporary Leaders | 22 |
Keller, Elena | Runes | 22 |
Bogatir, Svetlana | Walking People | 23 |
Keller, Elena | Constellations | 23 |
Golitsina, Clara | Self-Portrait | 24 |
Golitsina, Clara | Self-Portrait | 24 |
Figurina, Elena | The Red Fish | 25 |
Khlebnikova, Vera | Illustration for libretto Thoughs on Opanas After the Poem by Edward Bagritsky | 26 |
Miturich-Khlebnikova, Vera | 26 | |
Khlebnikova, Vera | Cover for libretto Thoughs on Opanas After the Poem by Edward Bagritsky | 26 |
Miturich-Khlebnikova, Vera | 26 | |
Gronova, Nonna | Forest Ritual | 27 |
Matveeva, Bella | model with work | 28 |
Matveeva, Bella | diptych | 28-29 |
Konstantinova, Maria | M.K.K.M. | 30 |
Nakhova, Irina | untitled | 30-31 |
Konstantinova, Maria | Rest in Peace | 31 |
Elegina, Yelena | Ikisos | 32 |
Elegina, Yelena | Detail Iksisos | 32 |
Elegina, Yelena | Prekrasnoye (The Sublime or Red Square) | 32 |
Chernysheva, Olga | 33 | |
Chernysheva, Olga | 33 | |
The Peppers | Ludmila Skripkina and Oleg Petrenko | 34 |
Bone Marrow | 34 | |
Chart of Relia | 34 | |
The Methods of Provocation | 34 | |
Translation for Methods of Provocation | 34 | |
Kopystianskaya, Svetlana | Landscape | 36 |
Kopystianskaya, Svetlana | Detail Landcape | 36 |
Nochlin, Linda | Why Have There Been No Great Women Artists? | 38-43 |
Sandomirskaya, Irina | Around b: Power and the Magic of Writing | 44-60 |
Kuksinite, Irina | Twins, or Kiss on the Cheeks | 46 |
Dementieva, Alexandra | cover for book by Lef Khrutsky | 47 |
Serebrikova, Maria | untitled collage | 49 |
Khlobystin, Maya | Patriotic Alphabet | 50 |
Khlobystin, Maya | American Agricultural Techniques at Work | 51 |
Makelova, Ludmila | Self-Portrait After Titan | 52 |
Volka, Marta (Elena Shevelenko) | The Childhood of Napoleon | 55 |
Konisheva, Natta | The Alexeev Family | 56 |
Romanova, Elena | Old Folk from the Nprthern Village | 58 |
Dixon, Tennessee Rice; Isaak, Jo Anna; Lang, Avis; Pasti, Sara | (translated quotes) | 61 |
Zhezmer, Esther | The First Feminist Art Exhibitions in the U.S.S.R. | 62-76 |
Astafyeva, Olga | 68 | |
Korsakova, Aleksandra | 69 | |
Spasolomskaya, Tatyana | 70 | |
Kornilova, Yekaterina | 71 | |
Chernysheva, Olga | 72 | |
Gansovskaya, Ilona | 73 | |
Markelova, Lyudmila | 74 | |
Petrova, Tatyana | 75 | |
Turnova, Natalya | 76 | |
Kamenetzkaya, Natalya | 76 | |
Turkina, Olesya and Mazin, Victor; Curators | Dealing with Gender: Two Showa | 77-79 |
Selina, Yelena | Woman Worker | 80-82 |
Sandomirskaya, Irina and Petrochuk, Olga | The Revolt of the Daughters | 83-90 |
Korsakova, Aleksandra | Rodion Raskolnikov from Dostoyevsky's Crime and Punishment | 84 |
Korsakova, Aleksandra | Portrait of Dostoyevsky | 87 |
A Conversation with Aleksandra Korsakova (1904-1990) | 91-94 | |
(The Participants) | Femininity & Power: Participants' Statements | 95-103 |
(ADVERTS) | 104-108 |
© No More Nice Girls Productions, 2024.