Heresies Article Index
Issue #10 – Women and Music
| Artist/Author | Title | Page(s) |
| John, Kathleen St. | Centipede | 1 |
| Pool, Jeannie G. | A Critical Approach to the History of Women in Music | 2-5 |
| Spiegel, Laurie | The Unquestioned Answer | 5 |
| Grant, Barbara L. | An Interview with Sybil of the Rhine: Hildegard von Bingen (1098-1179) | 6-10 |
| McGinnis, Ann Cain | Music and Healing | 11-14 |
| Taylor, Valery | Untitled | 13 |
| Smith, La Donna | Partbe | 14-15 |
| Hilderley, Jeriann | A Woman Remembers Her Music | 16-17 |
| Weber, Julie J. | Everything Vhanges and Grows | 18-19 |
| Weber, Julie J. | Examples from the “inherent nature” of some fragments | 19 |
| Various | Is There a Feminist Aesthetic in Music? | 20-24 |
| Davies, Diana | Biafran War Refugees Sing Hymns at Dawn at Food Relief | 23 |
| Gardner, Kay | Atlantic Rising | 25 |
| Various | Critics/Performers?Composers | 26-28 |
| Rosen, Judith | Frazyna Bacewicz (1909-1969) | 28-30 |
| Thompson, J.K. | Florence B. Price | 31 |
| Semegen, Daria | Once More, With Feeling | 32-33 |
| Wilson, Lynn | Letters from a Composer | 34-35 |
| Anderson, Beth | My Personal Approach to Music | 36-37 |
| Jepson, Barbara | Rith Crawford Seeger: A Study in Mixed Accents | 38, 40-43 |
| Cardullo, Karen M. | Ruth Crawford Seeger: Preserving American Folk Music | 39, 44-45 |
| Gunden, Heidi Von | Whistle Music: A Sonic Excorcism | 45 |
| Cormier, Holly Hendricks | Women in Folk Song | 46-48 |
| Anderson, Ruth | Silent Sound | 48 |
| Hayes, Evelyn | Banjo Women | 49 |
| Lindemann, Carolyn Anderson | Meet the Women Composers of Rags | 50-51 |
| Russell, Michele | Slave Codes and Liner Notes | 52-56 |
| Reitz, Rosetta | Mean Mothers: Independent Women’s Blues | 57-60 |
| Thomas, Alverta | Singing Praises: Women in Gospel Music | 61-64 |
| Gossett, Hattie with Johnson, Carolyn | jazzwomen: they’re mostly singers and piano players, only a horn player or two, hardly any drummers | 65-68 |
| Carter, Betty and Hope, Akua Lezli | Bebop Womantones | 69 |
| Lawson, Janet | Blowing on the Changes: Reflections of a Jazz Woman | 70-73 |
| Riley, Joanne | Women and Music: Straining Our Ears to the Silence | 74-79 |
| Eskimo woman | 76 | |
| Duncan, M. W. | Rechenda, an Apache | 78 |
| Densmore, Frances | Annie Long Tom. From Nootka and Quiluete Music | 79 |
| Peterson, Elsa | On The Trail of Red Sky Lady and Other Scholars | 80-82 |
| Rosebrook, Jaqueline Higgins | COPYRITE | 83 |
| Rosebrook, Jaqueline Higgins | Look What You’ve Done to My Song | 83-85 |
| Lems, Kristin | Open Notes But No Closing Cord: ON MALVINA REYNOLDS | 86-87 |
| Davies, Diana | Malvina Reynolds | 87 |
| Pipik, Jane E. | Women-Identified Music: Moving On | 88-90 |
| Fuller, Clythia | Mary Watkins | 89 |
| Fuller, Clythia | Carolyn Brandy | 89 |
| Fuller, Clythia | Kay Gardner | 90 |
| Fuller, Clythia | Robin Flower | 90 |
| Fuller, Clythia | Casse Culver | 90 |
| Stern-Wolfe, Mimi | Women Musicians Collective | 91-92 |
| Hays, Doris | Uni | 92 |
| Frau und Musik | Reports Grom Europe | 93 |
| Collective Farm Workers | 93 | |
| Various | Some Resources | 94 |
| Davies, Diana | Singer, New York Subway System | 94 |
| (ADVERTS) | 95-96 | |
| (UPCOMING ISSUES) | 97 |